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<DIV>I can't say, with surety, that what happened with John will, or does,
happen with every aural tuner that makes the switch to mainly ETD
tuning. I sincerely hope not. Because the most precious tool, the biggest
asset, the real payoff in terms of a successful business for us artisans is
our exponentially enhanced ability to listen---and feel--- in a focused, calm,
attentive, relaxed way.</DIV>
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<DIV>I guess the question I have for all you ETD users is this, and I would
deeply appreciate honesty here: where is your attention when you tune a piano?
Do you listen in a focused, calm, attentive, relaxed way, giving your
self to the world of sound? Or are you "on automatic," and free to roam
through your thoughts, dreams, and schemes, putting the bulk of your attention
on the stream of dialog in your head? </DIV>
<DIV> <SNIP></DIV>
<DIV><FONT face=Arial size=2> </FONT></DIV>
<DIV><FONT face=Arial size=2> David,</FONT></DIV>
<DIV><FONT face=Arial size=2> More often than not
-- guilty as charged -- I keep meaning to put the thing away
for a few tunings a week, but usually succumb to the presures of scheduling
and my predisposition towards sloth. As alway's your observations will be
taken to heart.</FONT></DIV>
<DIV><FONT face=Arial size=2> Thanks,</FONT></DIV>
<DIV><FONT face=Arial size=2> Tom Driscoll RPT</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2> <SNIP></FONT></DIV>
<DIV><FONT face=Arial size=2> </FONT></DIV>
<DIV> I believe it's an important question, and I hope I get both honesty
and collegiality in the replies, if any.</DIV>
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<DIV>Happy Monday, kids. I'm off to work......</DIV>
<DIV><BR class=khtml-block-placeholder></DIV>
<DIV>David Andersen</DIV>
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