<HTML><BODY style="word-wrap: break-word; -khtml-nbsp-mode: space; -khtml-line-break: after-white-space; ">Bing bing bing bing----the winnahhhh....this one goes straight to the "Crucial Pianotech Hall of Fame" in my computer.<DIV>I'm really sorry we didn't get more time to hang out in SF, brother. Your posts are great, and your literacy, intelligence, and clarity about our craft is beautiful. I encourage you to write articles for the Journal. I love what you write.</DIV><DIV>David AndersEn</DIV><DIV><BR class="khtml-block-placeholder"></DIV><DIV><BR><DIV><DIV>On Feb 15, 2007, at 2:57 PM, David Love wrote:</DIV><BR class="Apple-interchange-newline"><BLOCKQUOTE type="cite"><P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Helvetica" size="5" style="font: 16.0px Helvetica">Beyond that, the devil is in the details and the art of tuning lies in</FONT></P> <P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Helvetica" size="5" style="font: 16.0px Helvetica">judgments made in areas or across sections of the piano that defy</FONT></P> <P style="margin: 0.0px 0.0px 0.0px 0.0px"><FONT face="Helvetica" size="5" style="font: 16.0px Helvetica">calculation.<SPAN class="Apple-converted-space"> </SPAN>In that sense, I think David Anderson has a point.</FONT></P> </BLOCKQUOTE></DIV><BR></DIV></BODY></HTML>