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<font size=3>Phil, <br><br>
Why don't you go from F3 to F4 first? Then up (or down, depending on your
preference). I'm assuming you can check aurally. That would be the best
way to go. IMO. No insult intended! I just don't know your background.
<br><br>
Avery Todd<br><br>
At 06:27 PM 2/15/2007, you wrote:<br>
</font><blockquote type=cite class=cite cite="">
<font face="Comic Sans MS" size=2 color="#0000FF">* does anyone do
middle-out with an ETD as a matter of course?</font><font size=3> <br>
</font><blockquote type=cite class=cite cite="">
<font face="Comic Sans MS" size=2 color="#0000FF">SNIP<br>
Annie Grieshop<br>
</font><font face="Arial, Helvetica" size=2> </font></blockquote>
<font size=3>I do! with the SAT III. I Go from A(49) up to C(88)
then A(49)down to A(0). That way I get the hard-to-do (for me)
treble section over with and then see how A(49) is holding and then
on to the easy (for me) tenor(bichords) and bass(single strings).
If I am doing a pitch raise, I change percentages (offsets/overpull) at
each stage.<br><br>
Phil Ryan<br>
Sunny Miami Beach</font></blockquote></body>
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