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<DIV><FONT face=Arial size=2>Hi Tom,</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>My experiences are similar to yours. Among the 40
or 50 year old crappy little spinets that permeate the piano world, I would rate
the Baldwin Acrosonic as the #1 least bad crappy little spinet, and the Wurly at
#2.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Ahhhhhh, the stuff (some) dreams (and some
nightmares) are made of......... circa 1948? Wurly.</FONT></DIV>
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<DIV><FONT face=Arial size=2>Terry Farrell</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
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<DIV>Here in Illinois, home of the mighty Wurlitzer factory in Dekalb, I tune
quite a few Wurlies, and whereas I could not include them among the elite
pianos of the world, I find very few with loose tuning pins, and they're ALL
over 20 years old. I find the Wurlitzers to be sturdily built little war
horses, many of which are still bringing musical pleasure to their
owners. <BR><BR>I'm not saying that you won't have to tune past the
false beats in the treble, but then, name another spinet of that era that is
any better? I'd much rather tune a Wurly than a Gulbransen,
Janssen, Starck, or Betsy Ross. (Flame suit on---go ahead---hit
me!)</DIV>
<DIV> </DIV>
<DIV>Perhaps out on the East coast you don't see that many Wurlies.
Around here there as common as grass. <BR><BR>Oh...you don' t have much
of that in NYC, either.</DIV>
<DIV> </DIV>
<DIV>Tom Sivak</DIV>
<DIV>Chicago</DIV></BLOCKQUOTE></BODY></HTML>