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Presumably, the item Jesse refers to is seen in the Schaff Catalog (#101
- False Beat Suppressor, P.48). The generous in our midsts might
chuckle or drop Schaff a note about perhaps 'suppressing' this item in
the next catalog revision, or at least significantly modifying the
descriptive text. Those less benevolently inclined (moi? (rhymes
with voila, not viola)) would, on a slow day, lovingly dwell upon
and ponder each and every hyperbolic claim or mis-stated fact
contained therein, the decisive moment eventually arriving, as, at a
tasting of fine (or even less fine) wines, after allowing the bouquet to
fully develop in the mouth: spit or swallow? And, as having to read
the last sentence amply proves, there is no such thing as "a little
torture". Now, if you'll turn to page 48 and read,
silently.<br><br>
<br><br>
Thank you. The question raises an excellent opportunity to address
a corollary issue: how much "straightening" do you do, how, and
at what point, in the preparation of a newly strung piano? That
would also include, I suppose, string stretching, as accomplished with
sister item #132. Please turn now to page 46 and read,
responsively?<br><br>
<br>
David Skolnik<br>
Hastings on Hudson,NY<br><br>
<br><br>
<br><br>
At 10:27 PM 2/22/2007, you wrote:<br>
<blockquote type=cite class=cite cite=""><font size=2>Has anyone out
there ever used the false beat eliminator, and if so, does it really
work?<br>
<br>
Jesse Gitnik<br>
NYC<br>
In it since 1980<br>
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