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<font size=3>Terry, <br><br>
At 08:56 AM 3/2/2007, you wrote:<br>
<blockquote type=cite class=cite cite="">I hope you will be replacing
that big Kelly plate with a genuine Steinway plate.<br><br>
Just curious, did the guy give any reason for wanting the piano to be
"authentically restored"? Will he be showing it at piano
shows/competitions?</font></blockquote><br>
Oh, come on now. You KNOW it not a Steinway unless it has ONLY Steinway
parts!!!! :-D<br><br>
Avery <br><br>
<br>
<blockquote type=cite class=cite cite=""><font size=3>Terry
Farrell<br><br>
----- Original Message ----- From: "Mike Spalding"<br><br>
<blockquote type=cite class=cite cite="">Or rather, what would they have
done in 1910.<br><br>
Rebuild customer wants to make sure that his O ends up
"authentically restored". Worked him through the whole
action parts thing, got him to understand that even with Renner, Abel,
Ronsen, whatever, it will still be a Steinway. In fact, we managed
to settle most of the issues, both functional and cosmetic. One I
could not answer, though:<br><br>
Black keytop finish. How would the factory have dealt with the
ebonies in 1910? Black dye, or not? some kind of sealer or
topcoat, or just bare wood? Any authoritative info on how the
factory would have done his black keys in 1910 would be
appreciated.<br><br>
thanks<br><br>
Mike </blockquote></font></blockquote></body>
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