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<div>Dear Marshall,</div>
<div><SPAN contentEditable=false style="DISPLAY: inline-block"></SPAN></div>
<div>You left out an important step in the Santi Falcone story. Bud Greer and Lloyd Meyer actually bought out Santi and offered him a postion as a technician. That was when Santi left the company.</div>
<div> </div>
<div>The Burgett Brothers did not get involved until Greer tired of the investment and let the company go into bankruptcy. It was the Burgett Bros. who bought the company oput of bankruptcy and have steered it to be the company that it is today.</div>
<div> </div>
<div>I know this because Cunningham Piano was a Falcone dealer AND a Mason & Hamlin dealer - we still are.</div>
<div> </div>
<div>All the best,</div>
<div> </div>
<div>Richard Galassini</div>
<div>Cunningham Piano Company</div>
<div>(215) 991-0834</div>
<br>
-----Original Message-----<br>
From: falcone1132@tmlp.com<br>
To: pianotech@ptg.org<br>
Sent: Tue, 13 Mar 2007 2:03 AM<br>
Subject: Re: Falcone pianos<br>
<br>
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<div><FONT face=Arial>Hello list folks!</FONT></div>
<div><FONT face=Arial></FONT> </div>
<div><FONT face=Arial>Let me try to shed a bit of light about <FONT face="Old English Text MT" size=4>Falcone</FONT> pianos. Santi Falcone began building pianos in his small shop in Massachusetts, later moving to a larger facility which now manufactures <FONT face="Old English Text MT">Mason & Hamlin</FONT> pianos. </FONT></div>
<div><FONT face=Arial></FONT> </div>
<div><FONT face=Arial>His first accomplishment (I believe it was a 6'1" grand?) was completed somewhere between 1984-1985. I was beginning my Music Ed. degree at University of Lowell at the time, and became acquainted with his workmanship when he loaned a concert grand to the University-- hoping to get the pianos noticed, and build the business within the musical community. When I graduated in 1990, the University had purchased one of all three models manufactured: (6'1" in Prof. T. Stumpf's teaching studio, a 7'3" in the recital hall, and a 9-foot concert piano in the main concert hall). All had one-piece ivory keys, Renner actions, and were rivals to any Steinway that I've ever performed on, or serviced). I had the opportunity to perform at the <FONT face="Old English Text MT" size=4>Falcone</FONT> factory showroom in 1988- along with my piano pedagogy instructor from the University, and a few other select pianists.</FONT></div>
<div><FONT face=Arial></FONT> </div>
<div><FONT size=+0><FONT face=Arial> He (Santi Falcone) managed enough financial backing to purchase an old shoe factory on Duncan Street in Haverhill, and continued building very high-quality hand-manufactured pianos (serial #s 1000- 1200) before a need for finances rendered him unable to continue without taking the company "public". This is when a disasterous blow befell the company. In need of financing, Santi Falcone was "consumed", by 1% (51% ownership) in 1989 and offered the opportunity by its new owners to remain as a "technician"-- destroying all his dreams of building instruments that rival Steinway, Fazioli, and the other greats.</FONT></FONT></div>
<div><FONT face=Arial></FONT> </div>
<div><FONT face=Arial>You may know the name of the people involved in the " takeover"-- The Burgett brothers--renowned builders of <EM>Piano Disc. </EM><FONT face="Old English Text MT" size=4>Falcone</FONT> would never again build the fine pianos that once graced the stages of New England Conservatory's Jordan Hall, The Claremont Opera House, and several Universities and institutions of musical learning. I wasn't present at the signing of paperwork, I am relying on trade/business magazines, as well as newspapers (which I have retained copies of) naming the Burgetts as the purchasers of the company. </FONT></div>
<div><FONT face=Arial size=4></FONT> </div>
<div><FONT face=Arial>The <FONT face="Old English Text MT" size=4>Falcone</FONT> name was now 'someone else's' property, and the line was phazed out- with a concentration focused on reviving the <FONT face="Old English Text MT">Mason & Hamlin</FONT> line- attempting to build to the original scale designs set forth. Members of the Boston PTG may remember chapter meetings at the <FONT face="Old English Text MT" size=4>Falcone</FONT> Showroom near Steinert & Sons-- where the revival of M&H was first introduced??!!</FONT></div>
<div><FONT face=Arial></FONT> </div>
<div><FONT face=Arial>After having built some marginal grands, the name was sold (yet again) and now is made in Asia. This is a sad footnote in the history of a company that had SO much potential to really give Steinway a serious 'run' for its money. I tuned a 'vertical' falcone (P.S.O.) and was horrified even more than when I tuned a 5'8" grand which is equally inept in design and musical abilities. It seems now that the name will remain only as that associated with asian-made garbage, and hardly remembered for what Mr. Falcone originally set out to build.</FONT></div>
<div><FONT face=Arial></FONT> </div>
<div><FONT face=Arial>Although I've probably encountered more of these instruments than most, I readily admit that there were some design issues. Albeit, I will ALWAYS, and do own one. I still won't regulate mine (#1132) without the supervision of the former quality control manager from the company, who became my mentor as a rebuilder-- long after I bought my piano. After 25 years as a piano tuner tech., tuner, and rebuilder, I can regulate any piano (Steinways, M&H, Bossen.. etc. ) but truly value the instrument that I feel blessed to own and want to insure that it retains the glorious action that convinced me to trade my Steinway 'A' to get-- amid paying tuition to finish my first degree in Music. </FONT></div>
<div> </div>
<div><FONT face=Arial>If you have the opportunity to ever meet a REAL <FONT face="Old English Text MT" size=4>Falcone, <FONT face=Arial size=3>you'll immediately notice the difference between the it and the stencils now being made. It is important to know that the real, original pianos have serial #'s of 1,200 and lower- yes, if you were reading carefully, there are only 200 REAL ones.</FONT></FONT></FONT></div>
<div> </div>
<div><FONT face=Arial>I gladly welcome anyone within driving distance to New Bedford, Massachusetts to contact me and come play this instrument. Incidently, I still own an Steinway, and a 1922 Chickering quarter-grand with an Ampico (I hope to rebuild soon.... a new acquisition) that I teach on. I'm not a pianistic snob. I just love my instrument. Although I love Steinways, I have a special place in my heart for the <FONT face="Old English Text MT" size=4>Falcone <FONT face=Arial size=3>piano! I </FONT></FONT>don't let students touch it. I use it only for practice, performance, and recording purposes. Come one, come all players to enjoy a REAL </FONT><FONT face="Old English Text MT" size=4>Falcone. <FONT face=Arial size=3>I'd certainly welcome anyone to my shop, and give other techs. a chance to see what a REAL <FONT face="Old English Text MT" size=4>Falcone <FONT face=Arial size=3>is</FONT> <FONT face="Times New Roman" size=3><FONT face=Arial>all about</FONT>. <FONT face=Arial>It's nearly</FONT> <FONT face=Arial>20 years old now, and everything about this piano is as solid as the day that it was delivered. </FONT></FONT></FONT></FONT></FONT></div>
<div> </div>
<div><FONT face=Arial>Respectfully Submitted,</FONT></div>
<div>Marshall A. Connolly, Jr. </div>
<div>a/k/a/ <A href="mailto:falcone1132@tmlp.com">falcone1132@tmlp.com</A></div>
<div>Connolly's Center for Piano Wellness</div>
<div>496 Nash Road</div>
<div>New Bedford, MA 02746</div>
<div>(508) 984-0800</div>
<div><STRONG></STRONG> </div>
<div><STRONG>To:</STRONG> <A title=pianotech@ptg.org href="mailto:pianotech@ptg.org">Pianotech List</A> </div>
<BLOCKQUOTE style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<div style="FONT: 10pt arial"><B>Sent:</B> Monday, March 12, 2007 8:53 PM</div>
<div style="FONT: 10pt arial"><B>Subject:</B> Re: Question about new pianos</div>
<div><br>
</div>
The one Falcone I've encountered offered a less-than-optimal experience from my perspective. Due to numerous unspecified problems, Schmitt Music (large dealer here in Twin Cities) has quit carrying them in favor of resurrecting the Cristofori name, mfr'd in China to Schmitt's specs. <br>
<br>
<div><SPAN class=gmail_quote>On 3/12/07, <B class=gmail_sendername>RicB</B> <<A href="mailto:ricb@pianostemmer.no">ricb@pianostemmer.no</A>> wrote:</SPAN>
<BLOCKQUOTE class=gmail_quote style="PADDING-LEFT: 1ex; MARGIN: 0pt 0pt 0pt 0.8ex; BORDER-LEFT: rgb(204,204,204) 1px solid">While I'd agree that a new piano should not have problems of the sort<br>
you mention, I dont know if I'd agree with the statement that lack of<br>
experience with a piano brand, or lack of these being well known to the <br>
public at large is any dependable criteria for judging the quality of<br>
the instrument.<br>
<br>
I have never run into a Falcone myself. I remember when they were first<br>
brought to my attention in the early 90's when I was in Seattle for a <br>
couple years... they were touted as being the piano to replace<br>
Steinway.... and by some folks I respect. Yet, true to form I register<br>
these kinds of comments and stay open minded both ways... because when<br>
it comes right down to it, if yas donts knows yas donts knows. <br>
<br>
Cheers<br>
RicB<br>
<br>
<br>
My best guess is that you're right - -if the pins seemed loose or<br>
jumpy,<br>
then they were loose and jumpy. There's no excuse for the pins in a<br>
new piano to<br>
be this way. In all my years in business - -27 --- I never<br>
came across a Falcone piano - -there must be a reason. I guess if<br>
the brand<br>
were a really good one, it would be popular and lots of people would <br>
own them,<br>
like Yamaha, Kawai, etc.<br>
<br>
Jesse Gitnik<br>
<br>
</BLOCKQUOTE></div>
<br>
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