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<font size=3>David/Dale, <br><br>
My question is if it makes that much improvement, why doesn't Steinway? I
know the answer. I just want to see what you two say! :-D<br><br>
Avery <br><br>
At 09:44 AM 3/31/2007, you wrote:<br>
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<font face="Arial, Helvetica" size=2 color="#000080">I have a B coming
into the shop that I will do the same thing with as the customer is very
unhappy with the scale transition from tenor to bass. When you look
at the scale on that piano you find that note 21 on the original drops
down into the 125 lb range from upwards of 155-160 higher up in the
scale. No wonder the bottom of the tenor on a B sounds like rubber
bands. When you add the high tension leap into the bass, that
transition is impossible to smooth outvoicing can’t solve all
problems! Separating the bass bridge from the tenor gives the lower
part of the bass bridge more mobility and, when combined with a bit of
rescaling the core dimensions, should enhance the fundamental down
there. I think this is a good solution. What are the new
speaking lengths of notes 21 through 24?<br>
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</font><font face="Times New Roman, Times" size=2 color="#000080">David
Love<br>
davidlovepianos@comcast.net<br>
<a href="http://www.davidlovepianos.com/" eudora="autourl">
www.davidlovepianos.com</a></font><font size=3 color="#000080"> <br>
</font><font face="Tahoma" size=2>-----Original Message-----<br>
<b>From:</b> pianotech-bounces@ptg.org
[<a href="mailto:pianotech-bounces@ptg.org" eudora="autourl">
mailto:pianotech-bounces@ptg.org</a>] <b>On Behalf Of
</b>Erwinspiano@aol.com<br>
<b>Sent:</b> Friday, March 30, 2007 10:06 PM<br>
<b>To:</b> pianotech@ptg.org<br>
<b>Subject:</b> [Norton AntiSpam] Steinway B Scale Conversion<br>
</font><font face="Times New Roman, Times" size=3> <br>
</font><font face="Arial, Helvetica" size=2> My Colleagues<br>
I've wanted to do this for long time now & finally the deed is
done. I tHad a 1953 Steinway B (N.Y) with a good original
board & all. I cut the ring bridge loose from the treble a bass
& simply cut a venner piece out of the piece I extracted & glued
it back down on the board to make things look good & hide the spruce
tear out from the origianl 1/2 inch holes the splintered when
drilled thru at the mother ship. <br>
The transition bridge carries four bichords. The first two unisons
have been changed from size 19 to 20 to boost tension &darken the
sound. It is a very wonderful sounding break. The look is a very
neat & tidy appearance & the Musical enhancement is IMHO greatly
improved.<br>
My thanks to all bellyheads who have shared the bizzarro
ideas over the years. These things work & pan out in real life.
If any one would like to come & play it give a call.<br>
Dale Erwin<br>
<br>
<img src="cid:7.1.0.9.2.20070331125546.026a5bd0@houston.rr.com.4" width=480 height=360 alt="[]">
<img src="cid:7.1.0.9.2.20070331125546.026a5bd0@houston.rr.com.5" width=480 height=360 alt="[]">
<img src="cid:7.1.0.9.2.20070331125546.026a5bd0@houston.rr.com.6" width=480 height=360 alt="[]">
<img src="cid:7.1.0.9.2.20070331125546.026a5bd0@houston.rr.com.7" width=480 height=360 alt="[]">
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See what's free at
<a href="http://www.aol.com?ncid=AOLAOF00020000000503">AOL.com</a>. <br>
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