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<DIV><STRONG><EM>HI All</EM></STRONG></DIV>
<DIV><EM><STRONG> I sent thru some info on a restoration in
process , an 1880's Steinway up., last month & said I'd report on the
outcome. I applied a rib crowned boared & made the panel in house from
some very tight Sitka planks. The new board now has a belly bigger than mine.
grin. Oh what a booming sound before it was strung!!</STRONG></EM></DIV>
<DIV><EM><STRONG> This scale has a bizarre 20 note bass &
I changed the original tenor string arrangement transition from 2 bichords
7 tri-chords to <U>all bi-chords</U>. What a smooth & sonorous
transition this turned out to be. The bass note 20 to tenor note 21 is the
most noticeable but blends well & immediately by playing chromatically thru
the section & then from note 27 to plain wire 28 is virtually invisible. I
also eliminated the cantilever from the bass bridge set up.</STRONG></EM></DIV>
<DIV><EM><STRONG> I just returned from the beach house where it was craned
into. I had a chance to dial in the voicing & tuning in it's home location
which is always waaaay different acoustically from my shop & the outcome
tonally was very satisfying. The trebles were very, very clear, with more
sustain than any S&S upright I've ever encounterd. However this scale has
the same strike line problems most Steinway grands do & I had to alter
the hammers line from f-5 thru F- 6 , moving them closer to the top
termination by only about 2 mm but what a huge difference.</STRONG></EM></DIV>
<DIV><EM><STRONG> The bass tonality is beautiful & the client who has
not played on the refined & voiced version said it was a miraculous
change. Always good to hear this! She plays well & has a
very fussy pair of ears. I can't say the removal of the cantilever ,at least in
this case was an improvement. It seemed like I could more easily change partial
spectrum & it was a very robust bottom end/fundamental.</STRONG></EM></DIV>
<DIV><STRONG><EM> The entire job was more expensive than we all thought
but I did it for my own reasons. However Its' my last Stwy upright. Way to
much of Murphy's law at work plus the entire super structure was coming apart
& was totally reglued & re-enforced.</EM></STRONG></DIV>
<DIV><STRONG><EM> Hope this is interesting to some</EM></STRONG></DIV>
<DIV><STRONG><EM> regards to all</EM></STRONG></DIV>
<DIV><STRONG><EM> Dale Erwin R.P.T.</EM></STRONG></DIV>
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<DIV><FONT lang=0 face="Book Antiqua" size=2 FAMILY="SERIF" PTSIZE="10"><B><I></I>Dale Erwin--Piano Restorations<BR>4721 Parker
rd<BR>Modesto, Ca. 95357<BR>Shop 209-577-8397<BR></FONT><FONT lang=0 face="Abadi MT Condensed" color=#000000 size=2 FAMILY="SANSSERIF" PTSIZE="10"></FONT><FONT lang=0 face="Abadi MT Condensed" color=#000000 size=3 FAMILY="SANSSERIF" PTSIZE="12">Web site <A href="http://www.erwinspiano.com/">http://www.Erwinspiano.com</A></FONT><FONT lang=0 face="Abadi MT Condensed" color=#000000 size=2 FAMILY="SANSSERIF" PTSIZE="10"> </FONT><FONT lang=0 face="Book Antiqua" color=#000000 size=2 FAMILY="SERIF" PTSIZE="10"><I><BR>Restoration & Sales of<BR>Steinway &
Sons & other fine pianos.<BR>" Soundboards by
Design"</I><BR></B></FONT></DIV></DIV></FONT><BR><BR><BR><DIV><FONT style="color: black; font: normal 10pt ARIAL, SAN-SERIF;"><HR style="MARGIN-TOP: 10px">See what's free at <A title="http://www.aol.com?ncid=AOLAOF00020000000503" href="http://www.aol.com?ncid=AOLAOF00020000000503" target="_blank">AOL.com</A>. </FONT></DIV></BODY></HTML>