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Dale,<br>
<x-tab> </x-tab>Thanks for
sharing the pics. What kind of case wood is that?<br><br>
Greg Newell<br><br>
<br><br>
<br><br>
<br>
At 12:28 PM 4/17/2007, you wrote:<br>
<blockquote type=cite class=cite cite=""><font size=2><b><i>HI All<br>
I sent thru some info on a restoration in process , an 1880's
Steinway up., last month & said I'd report on the outcome. I
applied a rib crowned boared & made the panel in house from some very
tight Sitka planks. The new board now has a belly bigger than mine. grin.
Oh what a booming sound before it was strung!!<br>
This scale has a bizarre 20 note bass & I changed
the original tenor string arrangement transition from 2 bichords 7
tri-chords to <u>all bi-chords</u>. What a smooth & sonorous
transition this turned out to be. The bass note 20 to tenor note 21 is
the most noticeable but blends well & immediately by playing
chromatically thru the section & then from note 27 to plain wire 28
is virtually invisible. I also eliminated the cantilever from the bass
bridge set up.<br>
I just returned from the beach house where it was craned into. I
had a chance to dial in the voicing & tuning in it's home location
which is always waaaay different acoustically from my shop & the
outcome tonally was very satisfying. The trebles were very, very
clear, with more sustain than any S&S upright I've ever encounterd.
However this scale has the same strike line problems most Steinway
grands do & I had to alter the hammers line from f-5 thru F- 6
, moving them closer to the top termination by only about 2 mm but what a
huge difference.<br>
The bass tonality is beautiful & the client who has not played
on the refined & voiced version said it was a miraculous
change. Always good to hear this! She plays well &
has a very fussy pair of ears. I can't say the removal of the cantilever
,at least in this case was an improvement. It seemed like I could more
easily change partial spectrum & it was a very robust bottom
end/fundamental.<br>
The entire job was more expensive than we all thought but I did it
for my own reasons. However Its' my last Stwy upright. Way to much
of Murphy's law at work plus the entire super structure was coming apart
& was totally reglued & re-enforced.<br>
Hope this is interesting to some<br>
regards to all<br>
Dale Erwin R.P.T.<br>
</i></b> <br>
<img src="cid:7.1.0.9.0.20070417225203.01c75d10@ameritech.net.6" width=480 height=360 alt="[]">
<img src="cid:7.1.0.9.0.20070417225203.01c75d10@ameritech.net.7" width=480 height=360 alt="[]">
<img src="cid:7.1.0.9.0.20070417225203.01c75d10@ameritech.net.8" width=480 height=360 alt="[]">
<img src="cid:7.1.0.9.0.20070417225203.01c75d10@ameritech.net.9" width=480 height=360 alt="[]">
<img src="cid:7.1.0.9.0.20070417225203.01c75d10@ameritech.net.10" width=480 height=360 alt="[]">
<img src="cid:7.1.0.9.0.20070417225203.01c75d10@ameritech.net.11" width=480 height=360 alt="[]">
<br>
<br>
</font><font face="Book Antiqua, Bookman" size=2><b>Dale Erwin--Piano
Restorations<br>
4721 Parker rd<br>
Modesto, Ca. 95357<br>
Shop 209-577-8397<br>
</font>Web site
<a href="http://www.erwinspiano.com/">http://www.Erwinspiano.com</a>
<font size=2> </font><font face="Book Antiqua, Bookman" size=2><i><br>
Restoration & Sales of<br>
Steinway & Sons & other fine pianos.<br>
" Soundboards by Design"</i><br>
</b></font><br><br>
<br>
<hr>
See what's free at
<a href="http://www.aol.com?ncid=AOLAOF00020000000503">AOL.com</a>.
<br><br>
</blockquote>
<x-sigsep><p></x-sigsep>
Greg Newell<br>
Greg's Piano Forté<br>
<a href="http://www.gregspianoforte.com/" eudora="autourl">
www.gregspianoforte.com<br>
</a>216-226-3791 (office)<br>
216-470-8634 (mobile)<br><br>
2003,04,05 & 06 winners of <br>
Angie's List Super Service Award<br>
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