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<DIV><FONT face="Bookman Old Style" size=2>OK,</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2></FONT> </DIV>
<DIV><FONT face="Bookman Old Style" size=2>Thanks for the input everyone.
It seems there isn't much compelling reason to NOT use Iron wound strings should
the client really want that. Just different tonally than copper wound
strings. Ron N, Ron O, David A, Dale E, any input?</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2></FONT> </DIV>
<DIV><FONT face="Bookman Old Style" size=2>Client says he really likes the tone
of this old grand (probably original hammers, and beat up action to boot).
It's always fun to educate on what the results of a restringing will be, i.e.,
"Yes, it will change the sound of the piano, 'course, we could replace the
hammers too. And shanks. And..............."</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2></FONT> </DIV>
<DIV><FONT face="Bookman Old Style" size=2>Should be a good
opportunity</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2></FONT> </DIV>
<DIV><FONT face="Bookman Old Style" size=2>William R. Monroe</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2></FONT> </DIV>
<BLOCKQUOTE
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=madvinmryk@yahoo.com href="mailto:madvinmryk@yahoo.com">vince
mrykalo</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, April 20, 2007 8:39
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> SV: iron wound strings</DIV>
<DIV><BR></DIV>
<DIV>Everything I've read about iron wound strings suggest that the sound was
slightly better than copper, a little more body. The drawback was that
they went "dead" more quickly. And of course the salesmen touted
copper windings as being tonally superior, regardless whether they were or
not.</DIV>
<DIV><BR><B><I><A
href="mailto:pianotech-request@ptg.org">pianotech-request@ptg.org</A></I></B>
wrote:</DIV>
<BLOCKQUOTE class=replbq
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid"><BR>William,<BR>Gregor
Heller will surely make any basstrings you want<BR>www.hellerbass.de<BR>I
once learned from an old factory chief that when iron wound string became
dumb you should just take down the tension to about zero and then tune them
up again.<BR>It actually worked on a piano I
tuned.<BR>Aras<BR><BR><B><I>"William R. Monroe"
<pianotech@a440piano.net></I></B> skrev:
<BLOCKQUOTE class=replbq
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(16,16,255) 2px solid">Hi
folks,<BR><BR>How about iron wound strings? I've a client with a rather
old Baldwin that <BR>has iron wound strings, in need of a new
pinblock/strings, etc. The client <BR>is interested in keeping the strings
iron wound and I've never replaced <BR>irons wound with copper wound. Are
there pitfalls to be aware of? What <BR>kind of tonal difference would one
expect if we were comparing new iron to <BR>new copper? I'd also be
interested in arguments in favor of and against <BR>keeping them
iron.<BR><BR>Many thanks,<BR>William R. Monroe<BR><BR><BR></BLOCKQUOTE><BR>
<DIV></DIV></BLOCKQUOTE><BR><BR>
<DIV id=RTEContent>
<DIV id=RTEContent>
<DIV>
<DIV>Vince Mrykalo RPT MPT</DIV>
<DIV><FONT color=#ff0000>University of Utah</FONT></DIV>
<DIV><FONT color=#ff0000></FONT> </DIV>
<DIV><EM><STRONG>"Minél több a változás, annál nagyobb az
állandoság"</STRONG></EM></DIV>
<DIV> </DIV>
<DIV><EM><STRONG>The more I learn, the less I know.</STRONG></EM></DIV>
<DIV> </DIV>
<DIV><A
href="http://www.mrykalopiano.com"><STRONG>www.mrykalopiano.com</STRONG></A></DIV></DIV></DIV></DIV>
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