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<DIV><FONT face=Arial size=2>Hello Everybody, Hello Aras</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>A novice question...</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>What does it means, when you say that a string
goes "Dumb", or 'Dead" like Vince Mrykalo said ? </FONT></DIV>
<DIV><FONT face=Arial size=2>What happens in terms of sound, and in terms of its
inner structure ? How do you recognise it ?</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Best regards, </FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Philippe Errembault</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=aras6310@yahoo.se href="mailto:aras6310@yahoo.se">Aras</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech List</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, April 20, 2007 4:51
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> SV: iron wound strings</DIV>
<DIV><BR></DIV>William,<BR>Gregor Heller will surely make any basstrings you
want<BR><A href="http://www.hellerbass.de">www.hellerbass.de</A><BR>I once
learned from an old factory chief that when iron wound string became dumb you
should just take down the tension to about zero and then tune them up
again.<BR>It actually worked on a piano I tuned.<BR>Aras<BR><BR><B><I>"William
R. Monroe" <<A
href="mailto:pianotech@a440piano.net">pianotech@a440piano.net</A>></I></B>
skrev:
<BLOCKQUOTE class=replbq
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: rgb(16,16,255) 2px solid">Hi
folks,<BR><BR>How about iron wound strings? I've a client with a rather old
Baldwin that <BR>has iron wound strings, in need of a new pinblock/strings,
etc. The client <BR>is interested in keeping the strings iron wound and I've
never replaced <BR>irons wound with copper wound. Are there pitfalls to be
aware of? What <BR>kind of tonal difference would one expect if we were
comparing new iron to <BR>new copper? I'd also be interested in arguments in
favor of and against <BR>keeping them iron.<BR><BR>Many thanks,<BR>William
R. Monroe<BR><BR><BR></BLOCKQUOTE><BR>
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