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<DIV><EM><STRONG> Your experience is valued & varied & it is
obvious that when some one is working with a variety of hammers, such as you,
that they not only hear well but have achieved a high level of flexible voicing
skills based on their<FONT size=3><U> own</U></FONT></STRONG> <STRONG>concept
of sound.</STRONG></EM></DIV>
<DIV><STRONG><EM> This is what it's all about & musicians love
you. Thanks</EM></STRONG></DIV>
<DIV><STRONG><EM> Sincerely </EM></STRONG></DIV>
<DIV><STRONG><EM> Deal Erwin</EM></STRONG></DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 size=2>Well,
it's hard to beat them on Steinway grands. However, the upright hammers
Jurgen Goering sells (PianoForte Supply) made by Abel, 11mm wide, special
execution for large uprights, have been the best for old large uprights.
I still like Blues on Baldwins and Isaac's on Knabes better, but that's just
me.</FONT></BLOCKQUOTE></DIV>
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<DIV> </DIV></FONT><BR><BR><BR><DIV><FONT style="color: black; font: normal 10pt ARIAL, SAN-SERIF;"><HR style="MARGIN-TOP: 10px">See what's free at <A title="http://www.aol.com?ncid=AOLAOF00020000000503" href="http://www.aol.com?ncid=AOLAOF00020000000503" target="_blank">AOL.com</A>. </FONT></DIV></BODY></HTML>