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<DIV> <STRONG><EM> HI Ed</EM></STRONG></DIV>
<DIV><STRONG><EM> Yeah baby, I get it, ba ba ba but when the strings are
off & you run a string from agraffe to bridge & see the gap between
string and touch down point ...there is a mile of deflection ,the likes of
which I have <FONT size=4>NEVER</FONT> <FONT size=4>seen...</FONT> it
DOES...gives one pause. You know?</EM></STRONG></DIV>
<DIV><STRONG><EM> My motto, If it ain't broke, don't fix it applies but
...............WOW!!. I should have taken pictures. Ok I will when it gets
back from the finisher & we'll collectively extrapolate the bearing numbers
& ALL be amazed. </EM></STRONG></DIV>
<DIV><STRONG><EM> What I was considering is just raising the bolts a
little bit & call it good. A BTW, a new board isn't even in the
equation.</EM></STRONG></DIV>
<DIV><STRONG><EM> Yes giddy is a good word Ed. And
Grateful</EM></STRONG></DIV>
<DIV><STRONG><EM> Thanks for the post</EM></STRONG></DIV>
<DIV><STRONG><EM> Dale</EM></STRONG></DIV>
<DIV> </DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 size=2><EM>Dale
writes:<BR><BR><< SO what would you all do? Hmm Leave
it set up this way or change it. <BR>The <BR>plate sits on bolts as
it's supports so plate height is easy to change.<BR> Please
weigh in & I'll tell you what I think.
>><BR><BR><U><STRONG> I would take a moment to feel
gratitude that such an excellent, and <BR>proven, sounding structure has come
my way, and with a "pristine belly" I must be <BR>pardoned for a moment of
giddiness at the thought.</STRONG></U> <BR>
What would I do? I would set about making as little change to the
<BR>pressures, entrainments, dimensions, etc. as possible, while still
installing new <BR>strings, felts, and maybe even a pinblock. If that
belly and downbearing are <BR>working so well, how likely is it that whatever
improvment could be made <BR>would justify the major expense of a new
board. Aside from the possibility of <BR>making a lesser board,(it could
happen), a new board will take a year or two to <BR>settle into its
longer term "sound". This "pristine belly" is ready to go, <BR>right
now. Get the strings in on cleaned up bridges and you will know what you
<BR>have, right now. <BR> The definition of
"character" is like one judge's definition of porn, "I <BR>can't define it,
but I know it when I see it". I think Dale was describing a
<BR>particular tonal 'character' in this piano, and I say, "Save it!"
Put a <BR>great action and a nice set of hammers under fresh strings on it,
and see what the <BR>piano has to say.<BR><BR> Or, another way to
say it, "Do we trust our minds, or do we trust our <BR>ears?" So what if
the numbers don't agree with expectations, listening to the <BR>response
of the piano will tell us all we need to know if we let it. <BR><BR>Regards,
<BR><BR>Ed Foote RPT
<BR>http://www.uk-piano.org/edfoote/index.html<BR>www.uk-piano.org/edfoote/well_tempered_piano.html</EM><BR><BR><BR><BR>**************************************<BR>See
what's free at </FONT></BLOCKQUOTE></DIV>
<DIV></DIV>
<DIV> </DIV></FONT><BR><BR><BR><DIV><FONT style="color: black; font: normal 10pt ARIAL, SAN-SERIF;"><HR style="MARGIN-TOP: 10px">See what's free at <A title="http://www.aol.com?ncid=AOLAOF00020000000503" href="http://www.aol.com?ncid=AOLAOF00020000000503" target="_blank">AOL.com</A>. </FONT></DIV></BODY></HTML>