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<DIV><STRONG><FONT face=Arial>I know, of the channel, between the notes, but on
the ones with fronts attached??</FONT></STRONG></DIV>
<DIV>John M. Ross<BR>Windsor, Nova Scotia, Canada<BR><A
href="mailto:jrpiano@win.eastlink.ca">jrpiano@win.eastlink.ca</A></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=pianotech@a440piano.net href="mailto:pianotech@a440piano.net">William
R. Monroe</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech List</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, May 20, 2007 11:52 AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: keytops</DIV>
<DIV><BR></DIV>
<DIV><FONT face="Bookman Old Style" size=2>John,</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2></FONT> </DIV>
<DIV><FONT face="Bookman Old Style" size=2>Most of the sets you buy that come
as octaves are already scored (deeply) and shaped. They are very easy to
break apart. Typically they are wider than the key stick and so you must
still do some filing, etc. However, judicious alignment of the keytop to
the key stick can reduce the amount of shaping one must do. I trim my
keytops with a flush trim bit for the sides, then use a file for gross
material removal, followed by sandpaper (p400) to remove file marks.
Then I use Bill Spurlock's Key notching jig that he describes in the
Journal some years back. I finish with the buffing wheel, but will
probably try a satin finish on my next set, a la Nossaman.</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2></FONT> </DIV>
<DIV><FONT face="Bookman Old Style" size=2>Best,</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2>William R. Monroe</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2></FONT> </DIV>
<DIV><FONT face="Bookman Old Style" size=2></FONT><BR> </DIV>
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<DIV><STRONG><FONT face=Arial>When, I finish my present supply, I will ask
the list for their recommendations.</FONT></STRONG></DIV>
<DIV><STRONG><FONT face=Arial></FONT></STRONG> </DIV>
<DIV><STRONG><FONT face=Arial>Kluge will be on the list, I have heard some
good comments, on the quality, of the product.</FONT></STRONG></DIV>
<DIV><STRONG><FONT face=Arial></FONT></STRONG> </DIV>
<DIV><STRONG><FONT face=Arial>Price, quality and ease of working will be
considered.</FONT></STRONG></DIV>
<DIV><STRONG><FONT face=Arial></FONT></STRONG> </DIV>
<DIV><STRONG><FONT face=Arial>As an afterthought, how does one separate the
ones that come as an octave, all joined?</FONT></STRONG></DIV>
<DIV><STRONG><FONT face=Arial></FONT></STRONG> </DIV>
<DIV><STRONG><FONT face=Arial>I assume, scoring with a carpet
knife?</FONT></STRONG></DIV>
<DIV><STRONG><FONT face=Arial></FONT></STRONG> </DIV>
<DIV><STRONG><FONT face=Arial>Or are we lucky enough to have them, break
apart?</FONT></STRONG></DIV>
<DIV>John M. Ross<BR>Windsor, Nova Scotia, Canada<BR><A
href="mailto:jrpiano@win.eastlink.ca">jrpiano@win.eastlink.ca</A></DIV></BLOCKQUOTE></BLOCKQUOTE></BODY></HTML>