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<FONT FACE="Verdana, Helvetica, Arial"><SPAN STYLE='font-size:12.0px'>Alan – Could you give us a description of how you might use it? Where you would start, what you would hear, how you would track down the source? I’m just trying to understand the “detective” procedure and thought a “real world” example might be helpful.<BR>
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Thanks,<BR>
David Haynes<BR>
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On 5/28/07 9:29 AM, "reggaepass@aol.com" <reggaepass@aol.com> wrote:<BR>
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</SPAN></FONT><BLOCKQUOTE><FONT FACE="Verdana, Helvetica, Arial"><SPAN STYLE='font-size:12.0px'>Yes. Although I don't use it very often, when it comes into play, it usually does what nothing else can: isolate the source of an extraneous sound that is traveling around in the beast. Not a huge investment and definitely paid for itself the first time I used it.<BR>
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Alan Eder<BR>
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-----Original Message-----<BR>
From: Cy Shuster <BR>
To: Pianotech List <BR>
Sent: Sat, 26 May 2007 8:50 pm<BR>
Subject: Re: buzz cautionary taile<BR>
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Anyone have good luck using a mechanic's stethoscope to isolate the location of a buzz? <BR>
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--Cy-- <BR>
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