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<DIV><FONT face="Bookman Old Style">Hi Frank,</FONT></DIV>
<DIV><FONT face="Bookman Old Style"></FONT> </DIV>
<DIV><FONT face="Bookman Old Style">Yes, to be specific, it is a shallower slope
on the side nearest the tuning pins, and a steeper slope on the side toward
the speaking length. I can't really speak to current tooling/design.
Not my area........</FONT></DIV>
<DIV><FONT face="Bookman Old Style"></FONT> </DIV>
<DIV><FONT face="Bookman Old Style">I remember Paul R-J having something along
these lines in a class he did some time back........</FONT></DIV>
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<DIV><FONT face="Bookman Old Style">Paul?</FONT></DIV>
<DIV><FONT face="Bookman Old Style"></FONT> </DIV>
<DIV><FONT face="Bookman Old Style">For the record, this Kawai looks pretty
symmetrical however. Still, the mold idea works well enough.</FONT></DIV>
<DIV><FONT face="Bookman Old Style"></FONT> </DIV>
<DIV><FONT face="Bookman Old Style">William R. Monroe</FONT></DIV>
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<DIV>I am not sure what you mean by italic V. This seems to imply a
different profile on either side of the V-bar. Since the advent of CNC
machining, it has been common practice to use such tooling to accurately
create the V-bar shape and elevation. The most critical concern was to
accurately control the string elevation at the strike point. Commonly,
the same tool is used to machine both sides of the v-bar, resulting in
symmetrical shape, which I would describe as V-shaped, with a slightly rounded
bottom "point."</DIV>
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<DIV>Frank Emerson</DIV>
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