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<body>Right, and very interesting. What was the question again? <img src="cid:cool.gif@39262.9970835995.488" /><br /><br />Alan Barnard<br />Salem, MO<br /><br />----- Original message ----------------------------------------<br />From: "Geoff Sykes"
<thetuner@ivories52.com> </thetuner@ivories52.com><br />To: "Pianotech List"
<pianotech@ptg.org> </pianotech@ptg.org><br />Received: 6/29/2007 10:48:12 PM<br />Subject: RE: partial answers<br /><br /><br />>Assuming no inharmonicity... Given a string of length n, when set into<br />>motion it will create nodes at all the possible even, (meaning without a<br />>remainder), divisions of that length because those are the only ones that<br />>will terminate at a null point equal to the end terminations of the string.<br />>Lots of odd nodes are also generated but they are killed almost instantly<br />>when the reflection of that odd waveform bounces back from one of those end<br />>termination points effectively canceling it out. I'm sure that if you dug<br />>deep enough into the sub harmonics being generated between node null points<br />>you might find some very faint odd harmonics, but certainly nothing we could<br />>ever hear. <br /><br />>The hammer on a piano string hits a specific point on the string selected so<br />>that the string will generate specific and mostly desirable harmonics. It<br />>just so happens that that point is just off from the first null point of<br />>about the 7th harmonic, which also happens to be the point on many<br />>percussion instruments as the point of least harmonic generation. For fun,<br />>to test this, take, say, a metal rod, or a piece of pipe, and hold it<br />>between two fingers exactly 1/7 of the total length from one of the ends,<br />>letting it hang. Now strike that rod with something and it will sing quite<br />>loudly. Viola, tubular bells. Move your fingers only a very little bit from<br />>that point and the sound from the rod will die quite quickly. If the hammer<br />>on a piano struck the string at that 1/7th null point, it would generate<br />>almost no sound. However, since it is striking just off of that 1/7th point,<br />>something closer to the 1/8th point, it is generating a huge number of<br />>harmonics, or partials as we like to call them when inharmonicity is taken<br />>into consideration. <br /><br />>-- Geoff Sykes<br />>-- Los Angeles<br /><br /><br /><br />>-----Original Message-----<br />>From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On Behalf<br />>Of David Boyce<br />>Sent: Friday, June 29, 2007 1:21 PM<br />>To: Pianotech List<br />>Subject: Re: partial answers<br /><br /><br />>Ed, I think what you say is the nub: "that string vibrates, every available<br />>multiple of the lowest frequency is not only a "natural" but also, a logical<br />>consequence."<br /><br />>It may help to think in terms of numbers of nodes, and to consider that no <br />>possible node would be missed out, and that this would mean a harmonic <br />>series - "harmonic" is after all a mathematics concept - it's a type of <br />>numerical series, just as "arithmetic" and "geometric" are types of <br />>numerical series.<br /><br />>I'm even confusing myself now......<br /><br />>David. <br /><br />
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