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<DIV><FONT face=Arial size=2><EM>"Is there a preferred
downbearing angle?"</EM></FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial>Absolutely! The proper angle is the angle which produces
the best piano sound!</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>So much depends on the type of soundboard
(compression-crowned, rib-crowned or hybrid - age and condition of board -
existing crown - etc.). So no definitive answer with data provided. The best
thing to do is to get a recommendation from someone who works with the same type
of situation you are facing.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>Terry Farrell</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>----- Original Message ----- </FONT></DIV>
<DIV><FONT face=Arial size=2>> I have been contemplating
the Wixey digital angle guage that Terry <BR>> showed pictures of (attached
to the Lowell Guage base). I bought one of <BR>> these this afternoon,
and was wondering: Is there a preferred downbearing <BR>> angle?
I am working on a Baldwin R, the plate has been refinished. You can
<BR>> still see where the aliquot bars went, kind of, but I was wondering if
I <BR>> could use the guage to tweak the downbearing by moving the
aliquots? I <BR>> know ideally that the bearing would be equal,
front and rear, but ideal this <BR>> may not be. So, is there an ideal
angle that you all shoot for?<BR>> I think that this is not
the intent of the aliquots, but couldn't I move <BR>> them around to
accomplish some slight bearing changes? Input requested!!<BR>> Clark A.
Sprague, RPT <BR>> <BR>></FONT></DIV></BODY></HTML>