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<DIV>Paul,</DIV>
<DIV>I was talking about getting more pin into the bridge, hopefully where the
wood might not be as affected by the WD 40. I left the exposed pin height
the same as the neighboring pins. I think that due to the pin being much tighter
and deeper, the termination is more solid, thus transferring more energy.</DIV>
<DIV>As far as the Wapin bridge configuration, and although I'm not versed in
this concept, this would be a good candidate to get this instrument to
speak.</DIV>
<DIV> </DIV>
<DIV>Tom Servinsky</DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=paulrevenkojones@aol.com
href="mailto:paulrevenkojones@aol.com">PAULREVENKOJONES</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech List</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Sunday, July 22, 2007 9:18 AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: WD40- Steinway B
update</DIV>
<DIV><BR></DIV>
<DIV>Tom:</DIV>
<DIV> </DIV>
<DIV>A question. You said that you got more sustain after re-pinning the
bridge "with a longer profile". I take you mean that they extend higher above
the bridge surface than the originals? Of the two factors--1) new and tight
pins, and 2) higher profile--to which do you attribute the longer sustain.
There is no experimental data that I know of that speaks to bridge pin height
(there has been sporadic discussion on this list), and I know the Wapin folks
have played with bridge pin angle and termination position with interesting
results. Any thoughts? Or are there too many variables involved here?</DIV>
<DIV> </DIV>
<DIV>Paul</DIV>
<DIV> </DIV>
<DIV>
<DIV><STRONG>"If you want to know the truth, stop having opinions" (Chinese
fortune cookie)</STRONG></DIV></DIV>
<DIV> </DIV>
<DIV> </DIV>
<DIV>In a message dated 07/22/07 07:42:43 Central Daylight Time,
tompiano@bellsouth.net writes:</DIV>
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List <BR>Had some time to do some experimenting with this Steinway B which
had the <BR>WD40 treatment. If you remember, the instrument was quite decent
prior to <BR>the owner spraying WD40 everywhere. Now the tone and sustain is
dead. <BR>Many of your suggestions dealt with wood becoming soft, espeically
in the <BR>bridge cap. Some suggestions dealt with terminations be
hampered. All good <BR>leads. <BR>1. I cleaned with the termination points (
capo/ agraffe, bridge pins/bridge <BR>cap) on 5 notes throughout the piano.
<BR>Result- some clarity improvement, but no improvement in sustain.
<BR>Test - plucking the string only ( hammers also are damaged) and
listening to <BR>the sustain and quality of tone. <BR>2. Check bridge
pinning. So loose they came out by hand with ease. <BR>
Installed #8 bridge pins with longer profile <BR>Result:
Increase in sustain by 5 seconds. Tone much fuller. Still not up to
<BR>my expectations, but an improvement no less. <BR>Some good news:
the wood on the bridge cap appeared very firm and not <BR>mushy. <BR>My
hunch is that once the board is stripped, sanded, and refinished, new
<BR>bridge pins installed, new agraffes, and capo cleaned/shaped thoroughly,
the <BR>sustain will improve dramatically. <BR>I'll keep you posted. <BR>Tom
Servinsky <BR><BR><BR></DIV></BLOCKQUOTE>
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