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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>Do you mean the he’s the best string
maker you’ve encountered or you like his scales? There is a difference.
I am dubious of “string making” claims as reasons for great tone but
do put a lot of credence in scale design. There are some excellent string
makers whose scales you may or may not like but who do precision work. I’ve
used JD Grandt for awhile now and he recommends ˝ turn. I’ve installed a
couple by mistake with no turn and there really wasn’t any difference in
tone. Sanderson strings also don’t require a full turn in order to “come
alive” nor do Arledge. When I used Mapes strings (awhile now) they
routinely needed to be twisted or they sounded dead—and sometimes they
sounded dead anyway. While I can’t say I understand the mechanics of
twisting I do wonder whether it’s a compensation of some sort or whether
the twisting happens during the wrapping process with some makers and not with
others. Anyway, all you string making experts, please enlighten me. </span></font></p>
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<p><font size=2 color=navy face="Times New Roman"><span style='font-size:10.0pt;
color:navy'>David Love<br>
davidlovepianos@comcast.net<br>
www.davidlovepianos.com</span></font><font color=navy><span style='color:navy'>
</span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma'>-----Original Message-----<br>
<b><span style='font-weight:bold'>From:</span></b> pianotech-bounces@ptg.org
[mailto:pianotech-bounces@ptg.org] <b><span style='font-weight:bold'>On Behalf
Of </span></b>PAULREVENKOJONES<br>
<b><span style='font-weight:bold'>Sent:</span></b> Thursday, August 02, 2007
8:27 PM<br>
<b><span style='font-weight:bold'>To:</span></b> </span></font><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'>Pianotech List</span></font><font
size=2 face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'><br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: New bass strings,
some dead</span></font></p>
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style='font-size:12.0pt'> </span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><strong><b><font size=2
color=black face=Arial><span style='font-size:10.0pt;font-family:Arial;
color:black'>"If you want to know the truth, stop having opinions"
(Chinese fortune cookie)</span></font></b></strong></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>In a
message dated 08/02/07 22:06:35 Central Daylight Time,
davidlovepianos@comcast.net writes:</span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>Strings
shouldn't require twisting to sound good.</span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>David:</span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>This
has always baffled me. Even with the strings from Danny at GC which I
dearly love, one twist as I'm installing them makes a huge difference,
every time. I used to believe the sentiment you express above, and it
represents an ideal world in which strings properly wrapped maintain the
internal wrap tension and "grab" on the swage, but it doesn't happen
that way. I've tried a lot of string makers over the years, GC is
so far the best for my money and my customers' satisfaction, but I've
never found a set of strings that could simply be installed with no twist
whatsoever. I'd be really interested in other's take on this issue.</span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 color=black
face=Arial><span style='font-size:10.0pt;font-family:Arial;color:black'>Paul </span></font></p>
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