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<DIV><FONT face=Arial size=2>If I'm not mistaken, Arledge suggests that no twist
should be put on his bass strings.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>Terry Farrell</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- <BR></DIV>
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<P class=MsoNormal><FONT face=Arial color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy; FONT-FAMILY: Arial">Do you mean the he’s
the best string maker you’ve encountered or you like his scales? There
is a difference. I am dubious of “string making” claims as reasons for
great tone but do put a lot of credence in scale design. There are some
excellent string makers whose scales you may or may not like but who do
precision work. I’ve used JD Grandt for awhile now and he recommends ½
turn. I’ve installed a couple by mistake with no turn and there really
wasn’t any difference in tone. Sanderson strings also don’t require a
full turn in order to “come alive” nor do Arledge. When I used Mapes
strings (awhile now) they routinely needed to be twisted or they sounded
dead—and sometimes they sounded dead anyway. While I can’t say I
understand the mechanics of twisting I do wonder whether it’s a compensation
of some sort or whether the twisting happens during the wrapping process with
some makers and not with others. Anyway, all you string making experts,
please enlighten me. </SPAN></FONT></P>
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<P><FONT face="Times New Roman" color=navy size=2><SPAN
style="FONT-SIZE: 10pt; COLOR: navy">David
Love<BR>davidlovepianos@comcast.net<BR>www.davidlovepianos.com</SPAN></FONT><FONT
color=navy><SPAN style="COLOR: navy">
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