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<DIV>Hello Pianotech folks interested in the bass string twist thread. Below is
my email to Jim Arledge of Arledge Music Wire and his response:</DIV>
<DIV> </DIV>
<DIV>Terry Farrell</DIV>
<DIV> </DIV>
<DIV style="FONT: 10pt arial">----- Original Message -----
<DIV style="BACKGROUND: #e4e4e4; font-color: black"><B>From:</B> <A
title=Pianotuner@aol.com href="mailto:Pianotuner@aol.com">Pianotuner@aol.com</A>
</DIV>
<DIV><B>To:</B> <A title=mfarrel2@tampabay.rr.com
href="mailto:mfarrel2@tampabay.rr.com">mfarrel2@tampabay.rr.com</A> </DIV>
<DIV><B>Sent:</B> Friday, August 03, 2007 11:01 PM</DIV>
<DIV><B>Subject:</B> Re: Twisting New Bass Strings</DIV></DIV>
<DIV><BR></DIV><FONT id=role_document face=Arial color=#000000 size=2>
<DIV>
<DIV>
<DIV>In a message dated 8/3/2007 5:47:51 PM Central Daylight Time, <A
href="mailto:mfarrel2@tampabay.rr.com">mfarrel2@tampabay.rr.com</A>
writes:</DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 size=2>
<DIV><FONT face=Arial>Hi Jim,</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>We have been having a discussion on the PTG Pianotech
List about putting a twist in new bass strings. I had pointed out that Arledge
recommends to not put a twist into his strings. </FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>What is it about the design and/or construction of your
bass strings that differ from others that leads you to recommend no
twist?</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>Below is a copy of some of the most recent conversation
on this thread:</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>Thanks.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV>
<DIV><FONT face=Arial>Terry Farrell<BR>Farrell Piano</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV></DIV></FONT></BLOCKQUOTE></DIV>
<DIV></DIV>
<DIV>Dear Terry,</DIV>
<DIV> </DIV>
<DIV>Thanks for the e-mail. Let me put in my two cents. </DIV>
<DIV>First , let me say that false beating is our enemy.</DIV>
<DIV>You probably would not put a twist in plain wire. Right?</DIV>
<DIV>However there is a reason you should put a twist in most bass strings. Here
is my simple explanation of why.</DIV>
<DIV>The old fashion, tried and true traditional synchronized lathe winding
technique yields one minor anomaly.</DIV>
<DIV>After the string is made it will unwind or backlash a little when removed
from the machine. This is due to the torsional forces imparted during the
winding process.</DIV>
<DIV>The reason string winders have traditionally recommended to put a twist in
the wire on installation is simply to off set this built-in backlash. It
should take less twists (maybe only 1/2) in the big wires and more
twists (maybe 1 1/2) in the small ones. The exact amount will be known
by your string maker.</DIV>
<DIV> </DIV>
<DIV>Well, my approach was to build a new type of string winding machine that
among other things calculate this backlash and turn one side of the lathe at a
slightly different rate as to offset the backlash. The length and
diameters being variables. The proof that the derived
formula works is that when the string comes off my machine there is
no backlash. So why twist?</DIV>
<DIV> </DIV>
<DIV>After installing my strings in many high profile studios here in Music
city USA my honest opinion is that my strings are purer. Of coarse I would
say this. But truely they seem to have less trash and more
fundamental, easier to tune and more consistant tone. Not perfect but
better. </DIV>
<DIV> </DIV>
<DIV>You are welcome to pass this e-mail on to anyone interested.</DIV>
<DIV> </DIV>
<DIV>I hope this explanation helps,</DIV>
<DIV> </DIV>
<DIV>Best Regards,</DIV>
<DIV>James Arledge RPT</DIV>
<DIV>Arledge Music Wire</DIV>
<DIV> </DIV>
<DIV> </DIV></DIV></FONT><BR><BR><BR>
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