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<DIV><FONT face="Bookman Old Style" size=2>Mike,</FONT></DIV>
<DIV><FONT face="Bookman Old Style" size=2>Comments interspersed:</FONT></DIV>
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<DIV>As for William R Monroe,</DIV>
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<DIV>Again I must point out, you must not have read the original post in it's
entirety. I stated; He was/is an excellent technician, rebuilder and teacher.
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<DIV><FONT face="Bookman Old Style" color=#ff0000 size=2>Yes, I was
sarcastic. And, I meant no disrespect to the technician you cite
specifically. I apologize for that. My point was that many times
we continue to perform destructive activities in our profession (or our lives)
without realizing we are. I'm sure that most if not all on this list
would discontinue a practice should they realize that it is destructive to
pianos. Just because we haven't yet realized we are being destructive
does not make us less so.I read your entire (original) post. I stand by
my statements.</FONT></DIV>
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<DIV>He always said to be very wary of those who seemingly know it all, for it
is they who have stopped learning! </DIV>
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<DIV><FONT face="Bookman Old Style" color=#ff0000 size=2>True enough, my
point, in part.</FONT></DIV>
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size=2></FONT> </DIV></DIV>
<DIV>After all if you aren't going to ACCEPT something out of hand then
conversely you shouldn't REJECT something out of hand either, right?</DIV>
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<DIV><FONT face="Bookman Old Style" color=#ff0000
size=2>Absolutely.</FONT></DIV>
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<DIV>It's like many things, it sounds foreign and strange when you read a
description of it, when you see it done or actually do it yourself and
can see the results for yourself and the lack of bridge damage, you may find
yourself with a new technique in your arsenal or at least less apt to rush to
judgment about the next new and different one you read about!</DIV>
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<DIV><FONT color=#ff0000 size=2>I know (from experience - don't assume that
the responses to your post are NOT based on experience) that one can get a
tonal improvement from "seating strings." I know (again, unfortunately,
from experience) that seating strings in even a modest manner (hammer shank in
this case) can damage the bridge, particularly the leading edge. I also
question the longevity of results gained from string seating and believe that
often this technique addresses a symptom, not the disease itself. Of
course, there are exceptions, always, to most everything we do.</FONT></DIV>
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<DIV><FONT face="Bookman Old Style" color=#ff0000 size=2>I'd recommend you
experiment on an old instrument. Remove the strings from their hitches
on a section of the bridge (which you will be replacing) and plane it down to
remove string groves. Run your fingers across that lovely smooth
surface. Put the strings back on, whack away for a bit, remove the
strings again and look, feel, measure the bridge surface, paying particular
attention to the leading edge of the bridge.</FONT></DIV>
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<DIV><FONT face="Bookman Old Style" color=#ff0000 size=2>Maybe you don't
damage the bridge, maybe you do. I'd bet a 2lb hammer will
create some relief.</FONT></DIV>
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<DIV><FONT face="Bookman Old Style" color=#ff0000 size=2>William R.
Monroe</FONT></DIV></DIV>
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<DIV>Mike<BR clear=all><BR></DIV></BLOCKQUOTE></FONT></DIV></BODY></HTML>