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<DIV> Let me concur with David. </DIV>
<DIV> Dennis & I installed a Wurzen set in a old Yamaha G-2 J model
Friday. Though not my favorite model this one really has a
good Sitka board with very singing tone. Other than the usual careful
weight prep & shaping there was no initial needling to be done
& no juice at all. It sounds very clear/much sustain & even from
the git go. I did needle two hammers in octave four that sounded a bit
strident & I will say these are not soft hammers and if I did it over I
would use Bacon felt on this one. I've used the Wurzen a fair bit & as
with any felt the densities can vary a bit.</DIV>
<DIV> However Wurzens have been my first choice for the Yamaha
piano. My concern is that in heavy use scenarios I'd be going back to
needle them out quite thoroughly. Oh well that's life.</DIV>
<DIV> Next time though I will do some sampling.</DIV>
<DIV> Dale</DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><FONT
style="BACKGROUND-COLOR: transparent" face=Arial color=#000000 size=2><U>For
heavy use start softer. For light use you can start harder</U>. In
this<BR>case, I would go with Ronsen Wurzen. You need something firm
enough for the<BR>Yamaha tonal model but not so firm that you are doing a lot
of initial<BR>voicing to get the tone down to where you want it and even more
to keep it<BR>there. <BR><BR>David
Love<BR>davidlovepianos@comcast.net<BR>www.davidlovepianos.com
<BR> <BR><BR>...While we're on the subject I have some experience with
Abel hammers and<BR>almost none with Renners, for longevity in a classroom
situation and that<BR>will still retain some tonal qualities what hammers
would you recommend? <BR> <BR>Mike<BR></FONT></BLOCKQUOTE></DIV>
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