<div> So we're talking about mechanical effect? Whether the wire is capable of, in condition to, properly formed in order to carry the energy from the hammer strike (which is always what I have thought of as what "creates the quality of the note"?<br>
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Paul<br>
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-----Original Message-----<br>
From: A440A@aol.com<br>
To: pianotech@ptg.org<br>
Sent: Wed, 24 Oct 2007 7:47 pm<br>
Subject: Re: down to the wire<br>
<br>
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<font face="arial,helvetica"><font color="#000000" face="Geneva" size="2">I wrote:<br>
</font></font><blockquote type="CITE"><font face="arial,helvetica"><font color="#000000" face="Geneva" size="2"><br>
</font><font color="#000000" face="Geneva" size="2">While bridge notching and pinning and Capo bar condition are each a large factor in this, the wire</font><font color="#000000" face="Arial" size="2"> itself creates the quality of the note. ---Ed Foote<br>
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</font></font></blockquote><font face="arial,helvetica"><font color="#000000" face="Geneva" size="2">Paul asks: <br>
</font><font color="#000000" face="Arial" size="2">Heretical it sounds. Can you tell me what you mean by this?</font><font color="#000000" face="Geneva" size="2"><<<br>
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Maybe. The musical quality of the note will be no better than the wire. A bad V-bar shape, or a loose bridge pin MAY cause the note to have unwanted or missing partials, but not always. However, A bad piece of wire will not sound good, regardless of the rest of the system. <br>
Or to say it otherways, I would rather have a good piece of wire on a poor notch than a poor piece of wire on a good one. <br>
Hope that helps, some, <br>
Regards,. <br>
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Ed Foote RPT<br>
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