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<title>RE: String termination question</title>
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<div align="left"><font face="Arial" size="2"><span class="343043301-14012008">Methinks near proximity to the anchor of the pin (or agraff) suffices to ensure stability in either plane, eh what?<br/><br/>Alan Barnard<br/>Salem, MO<br/><br/>
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<hr/>Original message<br/>From: "Geoff Sykes"
<thetuner@ivories52.com> </thetuner@ivories52.com><br/>To: "Pianotech@Ptg. Org"
<pianotech@ptg.org> </pianotech@ptg.org><br/>Received: 1/13/2008 7:42:58 PM<br/>Subject: String termination question<br/><br/>
<div align="left"><font face="Arial" size="2"><span class="343043301-14012008">Greetings All --</span></font></div>
<div><font face="Arial" size="2"><span class="343043301-14012008"> </span></font> </div>
<div><font face="Arial" size="2"><span class="343043301-14012008">I made the mistake of thinking the other day, and I started wondering why piano strings are terminated at the bridge on both the X and Y axis but at the capo bar, or agraffe, on only the X, (or perhaps that's Y depending on how you are looking at it), axis. We go to lengths to make sure the strings are seated properly at the bridge so that there is a definite and precise termination in both planes at the bridge and bridge pin. Why then is the lack of termination in both planes not a problem at the agraffe and capo bar end? </span></font></div>
<div><font face="Arial" size="2"><span class="343043301-14012008"> </span></font> </div>
<div><font face="Arial" size="2"><span class="343043301-14012008">-- Geoff Sykes, Los Angeles</span></font></div>
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