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<DIV> <STRONG> <EM>JD</EM></STRONG></DIV>
<DIV><EM><STRONG> My friend....I know you know this already but When
appropriate & significant levels of crown exist in the soundboard
structure it becomes a springy & compressable diaphragm &
when appropriate & significant amounts of downbearing are applied on
that springy compressible structure the structure moves more air & the range
of power,sustain & tone color are greatly enhanced. This is why
it's down this way in the American system</STRONG></EM></DIV>
<DIV><EM><STRONG> Yes some systems work well with out much of
either and it's simply by virtue of there mass & stiffness but by in large
most systems I'm familiar with work more efficiently when set up with
significant amounts of crown/bearing & we like it that way.
</STRONG></EM></DIV>
<DIV><EM><STRONG> When C.C. boards go flat here in the States
there are weaknesses in the scale especially in the 6 th octave & when
really bad, the 4 octave as well. Flat boards, in my
experience, demonstrate short choppy sustain especially in the melody range
& the complaints begin. </STRONG></EM></DIV>
<DIV><EM><STRONG> Steinway, Mason & Hamlin, Baldwin, & many many
other makers produce there finest & most famous tone using this model
outlined above.</STRONG></EM></DIV>
<DIV><EM><STRONG> I suspect that pianos are made differently for the
European palate or your expectations of tone & power are entirely different.
Viva la difference</STRONG></EM></DIV>
<DIV><EM><STRONG> Many of us on this list as you know have been
working with newer designs to prolong tonal capabilities, soundboard longevity
& create new tonal envelopes without the destruction of wood cells
produced by over drying panels before the ribs are glued on. (C.C. Methods)
Apparently you all have figured that out how to defeat that years ago so boards
never need changing in Europe or your idea of what consitutes</STRONG><FONT
size=4> fine</FONT> <STRONG>has a different definition than we have
here.</STRONG></EM></DIV>
<DIV><EM><STRONG> SO by Yankee definition & by the lack of
tone we see in a flat boards & the improvements we can create building
new R.C. boards & R.C. & supported boards, there is an entire world of
tone that is waiting to be discovered by the World at large. I didn't take some
else's word for this but I've tried these things for myself and many
of the protocols shared openly & genrously on this list have shown to create
sounds I personally like. <BR> Perhaps it's our climate with high
hot summer humidity in the east/midwest that thrashes these C.C boards to an
early grave & then the 0 humidity in the winters with the heat on.
Wood just doesn't seem to take kindly to all that here.</STRONG></EM></DIV>
<DIV><EM><STRONG> Please ....Come to Anaheim June 18 th 2008 to the
PTG National Convention & Rebuilders Gallery & sample some of those
flavors. You won't be disappointed & I would enjoy showing you
around.</STRONG></EM></DIV>
<DIV><STRONG><EM> Respectfully Submitted</EM></STRONG></DIV>
<DIV><STRONG><EM> Dale Erwin</EM></STRONG></DIV>
<DIV> </DIV>
<DIV> </DIV>
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<STRONG>Well, where you are you seem to replace soundboards as though
they<BR> were sparking-plugs. Quite why I can't
tell.</STRONG> A soundboard over here<BR> is most unlikely
to be replaced even after 100 years and most of them<BR>
<STRONG>are fine</STRONG> after 100 years if the pianos have any
worth.<BR><BR> <STRONG>JD</STRONG></FONT></BLOCKQUOTE></DIV>
<DIV></DIV>
<DIV> </DIV></FONT><BR><BR><BR><DIV><FONT style="color: black; font: normal 10pt ARIAL, SAN-SERIF;"><HR style="MARGIN-TOP: 10px">Start the year off right. <A title="http://body.aol.com/fitness/winter-exercise?NCID=aolcmp00300000002489" href="http://body.aol.com/fitness/winter-exercise?NCID=aolcmp00300000002489" target="_blank">Easy ways to stay in shape</A> in the new year. </FONT></DIV></BODY></HTML>