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<font size=3>Hi Ric,<br>
Some
of that noise is coming from the card punching, slapping on the frame.
That's why I mentioned putting a little dab of white glue on the bottom
of the heavy card punching.<br>
We have done quite a few piano's this way, and like the results. The
white glue has a slightly rubbery quality to it when set, and help to
cushion some noise. Measure a note in each octave, old punching's,
plus old felt punching's, with a digital caliper. Then select a card
punching that will give similar results with the crescendo
punching. Repeat for the sharps, they will be
different.<br><br>
Regards Roger<br><br>
<br>
t 09:19 AM 2/6/2008, you wrote:<br>
<blockquote type=cite class=cite cite="">Hi Jurgen.<br><br>
On that note of the punchings being too hard in some pianos... I find
that the addition of a 1 mm thick extra felt punching under the crescendo
punching is enough to quite any noise considerably without compromising
the effect of Andres punchings much at all. No doubt there is some
effect... but I still like this combination better then soft green cloth
punchings. I make my 1 mm punchings myself when I need them out of
bushing cloth. 1.1 mm is what they say the stuff is
actually.<br><br>
Cheers<br>
RicB</font></blockquote></body>
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