<div> Barbara!<br>
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You've stolen my dubious thunder. I've been using that phrase in classes now for three years. :-)<br>
<br>
Paul<br>
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-----Original Message-----<br>
From: Barbara Richmond <piano57@insightbb.com><br>
To: ilvey@sbcglobal.net; Pianotech List <pianotech@ptg.org><br>
Sent: Fri, 8 Feb 2008 8:09 pm<br>
Subject: Re: 37 steps---delayed response<br>
<br>
<div id="AOLMsgPart_0_26011926-c3d1-4c33-af90-2755b374ebf5" style="margin: 0px; font-family: Tahoma,Verdana,Arial,Sans-Serif; font-size: 12px; color: rgb(0, 0, 0); background-color: rgb(255, 255, 255);">
I think people don't realize that 37 steps (which, btw, I see more as <br>
chapter <br>
titles) is a way to become familiar with piano regulation functions and <br>
not an end unto itself. After becoming familiar enough with regulation, <br>
and how the action works, anyone can let the "piano tell them" what it <br>
needs. We are Piano Whisperers! ;-) <br>
<br>
Barbara Richmond, RPT <br>
near Peoria, Illinois <br>
<br>
----- Original Message -----
From: "David Ilvedson" <<a href="mailto:ilvey@sbcglobal.net">ilvey@sbcglobal.net</a>> <br>
To: <<a href="mailto:pianotech@ptg.org">pianotech@ptg.org</a>> <br>
Sent: Friday, February 08, 2008 11:52 AM <br>
Subject: Re: 37 steps---delayed response <br>
<br>
> Israel, <br>
> <br>
> Obviously, a short email message can't convey your approach and no <br>
> offense, but I don't <br>
> get how this is a clearer and less potentially misleading conceptual <br>
> framework. In your class you would have to list your stages and all <br>
> that is included in each stage, right? Certainly things have to be done <br>
> in the right order. You don't align hammers to strings without <br>
> tightening action screws, etc. Surely, you have class handout? <br>
> <br>
> David Ilvedson, RPT <br>
> Pacifica, CA 94044 <br>
> <br>
> ----- Original message ---------------------------------------- <br>
> From: "Israel Stein" <<a href="mailto:custos3@comcast.net">custos3@comcast.net</a>> <br>
> To: <a href="mailto:pianotech@ptg.org">pianotech@ptg.org</a> <br>
> Received: 2/7/2008 7:45:55 PM <br>
> Subject: Re: 37 steps---delayed response <br>
> <br>
> <br>
>>At 05:29 PM 2/7/2008, Barbara Richmond wrote: <br>
> <br>
>>>What is the clearer and less potentially misleading conceptual framework? <br>
>>> <br>
>>>Barbara Richmond <br>
> <br>
>>Well, "Circles of Refinement" is a definite improvement - it more <br>
>>accurately indicates what is actually going on. But my own approach <br>
>>is based on the idea that what we call "Regulation" consists of <br>
>>several discreet stages that are quite different from each other, <br>
>>each requiring different approaches and emphases. The first stage <br>
>>consists of aligning the action to the piano - can you think of where <br>
>>the action interfaces with the piano and what points of regulation <br>
>>this stage entails? Once you have that, there is internal alignment <br>
>>of the action parts. Not much discretion here. Then - if the action <br>
>>is way out of regulation (as after being rebuilt or after decades of <br>
>>hard use and neglect) it needs to be roughed in - same idea as a <br>
>>pitch raise in tuning. Here the chief consideration is speed - not <br>
>>accuracy - and being able to eyeball plausible approximations of <br>
>>"specs" is a very useful skill. Now you have a basis on which to <br>
>>establish the basic relationships within the wippen (in the grand) <br>
>>and between keydip and strike distance to arrive at the regulation <br>
>>specs for this action and refine the regulation through that circular <br>
>>process that we keep talking about. At this stage there is lots of <br>
>>discretion as to what functions you will favor at the expense of what <br>
>>other functions. And once you have achieved what you wish here, you <br>
>>can deal with what I call peripherals - dampers, pedals, etc. The <br>
>>order of steps within each stage is determined empirically - and not <br>
>>assigned any cumulative number (like "37") or ordinal value (like <br>
>>"first, second") since in practice it will vary depending on <br>
>>circumstances and preferences. <br>
> <br>
>>Might look abstruse in print (it's a quick synopsis aimed at <br>
>>experienced pros - I put it quite differently for students) - but <br>
>>with an action or an action model in front of them students grasp the <br>
>>relationships between regulation points / functions and basic <br>
>>concepts of regulation a lot faster when viewing them within discreet <br>
>>and self-contained segments of the process rather than as part of a <br>
>>long sequence of "steps". I have been using this conceptual framework <br>
>>for 5 years now, in the context of PTG Convention classes and chapter <br>
>>presentations - and it works. I believe that it is a more easily <br>
>>manageable perspective for the student who has trouble understanding <br>
>>how the functions and regulation points relate to each other - and I <br>
>>have plenty feedback from classes and post-exam conversations to support <br>
>>this. <br>
> <br>
>>Israel Stein <br>
> <br>
>>>----- Original Message ----- From: "Israel Stein" <<a href="mailto:custos3@comcast.net">custos3@comcast.net</a>> <br>
>>>To: <<a href="mailto:pianotech@ptg.org">pianotech@ptg.org</a>> <br>
>>>Sent: Thursday, February 07, 2008 4:28 PM <br>
>>>Subject: Re: 37 steps---delayed response <br>
>>> <br>
>>> <br>
>>>>Likewise, there is a lot clearer and less potentially misleading <br>
>>>>conceptual framework with which to present "Regulation" than "X <br>
>>>>steps". And if you spend some time analyzing screwed up regulations <br>
>>>>with students and listen to what misconceptions they came out with <br>
>>>>from some of these "step-by-step" teaching methods you might a <br>
>>>>clearer picture of what I am talking about... <br>
>>>>Israel Stein. <br>
>>> <br>
>>> <br>
> <br>
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