<div>See the lower left of the charts on <a href="http://www.rollingball.com/TemperamentsFrames.htm" target="_blank">http://www.rollingball.com/TemperamentsFrames.htm</a></div>
<div> </div>
<div>Both the Vallotti and the Young have a cumulative tension increase averaging about 2 cents per note. The Vallotti-Young has a net increase of zero.<br></div>
<div>Jason<br></div>
<div class="gmail_quote">On Feb 16, 2008 8:40 PM, <<a href="mailto:A440A@aol.com" target="_blank">A440A@aol.com</a>> wrote:<br>
<blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">
<div>Julia writes:<br><br><< Would tuning a Valotti or Young temperament play havoc on the<br>harp/plate tensions? In other words, would I have trouble stablizing a piano<br>back<br>to ET if me (or a customer) did not like it? >><br>
<br></div>I have never had any problems moving among these tunings. The cumulative<br>difference is very small. What I have run into more often are customers that<br>tell me that they never want to go back to strict ET, (currently about 90% of<br>
customers).<br><br><br><br>Ed Foote RPT<br><a href="http://www.uk-piano.org/edfoote/index.html" target="_blank">http://www.uk-piano.org/edfoote/index.html</a><br><a href="http://www.uk-piano.org/edfoote/well_tempered_piano.html" target="_blank">www.uk-piano.org/edfoote/well_tempered_piano.html</a><br>
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