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<DIV><FONT face=Arial size=2>These Steinways (upright, I presume), are of the
same high quality as their non-player brothers, but usually have had much more
use. Steinway sold the empty pianos to Aeolian who then fit the Pianola action
into them. Aeolian, at the time, used the finest materials available for their
players. Usually Steinways were either expression players (Themodist-Metrostyle)
or fully reproducing (Duo Art), rarely just an 88-note foot-pumped player.
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<DIV><FONT face=Arial size=2>A Steinway grand player of the period was a
little different. In order to accommodate the player mechanism behind the
fallboard, and extra 6 inches was added to case length by Steinway, as well as
lengthening the keys by a like amount. Some pianists can ascertain the
difference in playing these long keys versus the regular ones, but others don't
notice until they are told.</FONT></DIV>
<DIV><FONT face=Arial size=2>All Steinway player-grands of the period were
either just Themodist-Metrostyle expression players, some even foot-pumped, or
full Reproducing Duo Art pianos with an electric suction pump. Sometimes the
beams underneath the pianos were cut or re-designed to accommodate the pumps.
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<DIV><BR>Hope this helps!</DIV>
<DIV> </DIV>
<DIV>Berley</FONT></DIV></BODY></HTML>