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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'>What he said. Works for me.<o:p></o:p></span></font></p>
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10.0pt;font-family:Arial;color:navy'><o:p> </o:p></span></font></p>
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color:navy'>Dean May</u1:PERSONNAME>
cell 812.239.3359 <o:p></o:p></span></font></p>
<p class=MsoAutoSig style='margin:0in;margin-bottom:.0001pt'><font size=3
color=navy face="Times New Roman"><span style='font-size:12.0pt;color:navy'>PianoRebuilders.com
812.235.5272 <o:p></o:p></span></font></p>
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<p class=MsoNormal><b><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma;font-weight:bold'>From:</span></font></b><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'> pianotech-bounces@ptg.org
[mailto:pianotech-bounces@ptg.org] <b><span style='font-weight:bold'>On Behalf
Of </span></b>Farrell<br>
<b><span style='font-weight:bold'>Sent:</span></b> Friday, March 21, 2008 4:44
PM<br>
<b><span style='font-weight:bold'>To:</span></b> <st1:PersonName w:st="on">Pianotech
List</st1:PersonName><br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: birdcage pitch?</span></font><o:p></o:p></p>
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<p class=MsoNormal><font size=3 face="Times New Roman"><span style='font-size:
12.0pt'><o:p> </o:p></span></font></p>
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<p class=MsoNormal><em><i><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>"In general I donīt do such extreme pitch raises up to
440 Hz in field service."</span></font></i></em><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma'><o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma'> <o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'>Why not? Piano owners pay good $$ for such a service.</span></font><font
size=2 face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'><o:p></o:p></span></font></p>
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<p class=MsoNormal><em><i><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>"I was not brave enough to tune it on 440 first, so first
I tuned it between 1 and 2 half tones flat and went on to 440. I think it took
me 6 or 7 passes that day."</span></font></i></em><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'><o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'>Six or seven passes? Sounds like a lot of work. You should
be able to do such a pitch raise in two and a half passes. First pass A440 plus
ten cents in the bass and maybe 20 cents on the long bridge. After that first
pass the bass and tenor might be in the range of 30 to 50 cents flat. The
treble will likely be more flat - so go through the treble a second time and
raise it so that it ends up 20 or 30 cents flat. Then go through the entire
scale doing a normal pitch raise with appropriate overpull. </span></font><font
size=2 face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'><o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma'> <o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'>I do it like that often. Works well.</span></font><font
size=2 face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'><o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=2 face=Tahoma><span style='font-size:10.0pt;
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<p class=MsoNormal><font size=3 face=Arial><span style='font-size:12.0pt;
font-family:Arial'>Terry Farrell</span></font><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma'><o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=2 face=Arial><span style='font-size:10.0pt;
font-family:Arial'>----- Original Message ----- <o:p></o:p></span></font></p>
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<p class=MsoNormal style='background:#E4E4E4'><font size=2 face=Arial><span
style='font-size:10.0pt;font-family:Arial'> <o:p></o:p></span></font></p>
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<p class=MsoNormal><font size=2 face=Tahoma><span style='font-size:10.0pt;
font-family:Tahoma'>Itīs not so seldom that I see pianos a minor third flat.
Usualy the reason is that they were not tuned for 40 years. I bought such a
piano last year and tuned it in several passes up to 440 and it turned out to
be a very very nice piano (from 1900 or so) with a really great sound (139 cm
high) and 440 Hz worked very well. But I was not brave enough to tune it on 440
first, so first I tuned it between 1 and 2 half tones flat and went on to 440.
I think it took me 6 or 7 passes that day. That was in November. Last week I
sold it and it was still only 2 cents flat. The reason for beeing so flat: it
stood on a floor heating for 35 years and the seller had it not let tuned since
then. <br>
<br>
In general I donīt do such extreme pitch raises up to 440 Hz in field service.
I do it only if the piano is in my ownership. Usualy itīs not a problem to
communicate that problem to the customer: Birdcage, some kind of rotten and a
third flat? Go and buy a decent piano or accept the status quo. Canīt afford a
decent piano? Okay, bad luck and I see the problem, but I am only the messenger.<br>
<br>
Concerning the Lindner Irish plastic pianos: donīt even try to service or tune
them. These "pianos" are the most worse case scenarios I encountered
in my life as piano tuner. And I saw a lot of strange things in that business.<br>
<br>
Gregor<o:p></o:p></span></font></p>
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