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<DIV><FONT face=Arial>Steve-</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>Once in a while, try this:</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>Tune the temperament or mid-range with the strip mute
in.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>Then tune the unisons.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>Then go back over the temperament, correcting by making
tiny unison adjustments.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>I think you'll find yourself making very subtle pitch
changes this way. </FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>When you go to the next piano you'll make more subtle
single string adjustments in the strip muted tuning.</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial>Ed Sutton (Still addicted to the strip mute, but working
to get beyond.)</FONT></DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<DIV><FONT face=Arial></FONT> </DIV>
<BLOCKQUOTE
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=atuneforyou@hotmail.com href="mailto:atuneforyou@hotmail.com">Steve
Blasyak</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, March 22, 2008 2:41
PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> To mute or not to mute</DIV>
<DIV><BR></DIV>Hey Now,<BR> <BR>Thanks Dale and others for comments
related to strip muting. I use action cloth too, I think I got it from Piano
tech. I pretty much agree with everything David Ilvedson posted on 3/21. I can
see using the mute method tuning unisons as described on this thread on
grand's. To me its just not practical on most upright/console/spinets. The
string spacing is often inconsistent. Lighting and angles are often an issue.
Also the mutes flop around and fall out. I have cut down the wire to at least
minimize this last problem. Its just too frustrating to be enjoyable. In the
end I tune unisons as I go with the action cloth temperament strip on anything
standing up. Yesterday as an experiment I tuned a grand with a felt mute
that has a tapered tip. It fits nicely into the unisons and its a method
I could get used to. I went left to right though. I'll try the right to left
as David Anderson has suggested next time. I already use this method in the
sixth and seventh octave anyway.<BR> <BR>Again I agree with the stability
statements and think tuning unisons as you go is the hot ticket. following
this thread I have discovered there are several different ways to achieve this
goal.<BR> <BR>As far as temperament tuning with mutes. I thank John
Formsma and I can't remember who else posted comments. But anyway thanks
for the encouragement to both of you (who ever you are?). Here's my thoughts
on that. The test is given with the piano completely strip muted. I intend to
continue my practice with the piano strip muted because it is my goal to
pass the test. It seems to me to be logical to practice under same the
conditions you will be tested on. My mind is quite feeble, not sure if it
would be a good idea changing my whole routine at this particular
point in time. I know that I will never achieve the ability of David Anderson
and others on the list (no sarcasm intended), I'm just trying to learn and
pass the test. After that I will try to hone my skills to a higher level. With
the help of my friends on list of course. <BR> <BR>Thanks
again to all for the wealth of information. Have a great holiday
weekend.<BR> <BR>Steve Blasyak<BR>Orange County Ca.<BR> <BR>Pura
Vida <BR><BR>
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