I strongly suspect that this is the case: That, all other things being equal, the deader a soundboard is, the more stable the tuning will be.<br>
<br>
<div>Alan Eder<br>
<br>
-----Original Message-----<br>
From: Farrell <mfarrel2@tampabay.rr.com><br>
To: Pianotech List <pianotech@ptg.org><br>
Sent: Sat, 22 Mar 2008 9:08 am<br>
Subject: Re: birdcage pitch?<br>
<br>
<div id="AOLMsgPart_2_a6c166f6-dc75-4a88-8fb7-c0e15bb65d01">
<div><font face="Arial" size="3">That´s pretty unusual. Is it possible that there is
a relation between the stability and these 7 passes?</font></div>
<div><font face="Arial" size="3"></font> </div>
<div><font face="Arial" size="3">My guess is not. I raised the pitch of an old
upright Kimball more than 100 cents (don't remember exactly how
much) about six years ago. One year ago I returned to tune it again (only
needs tuning every 5 years) and it was right up to A440. I think </font><font><span class="Apple-style-span" style="font-size: large;"><span class="Apple-style-span" style="font-family: impact, sans-serif;">a big ol' flat,
dead soundboard</span></span></font><font face="Arial" size="3"> has more to do with it than how many passes one uses to get a
piano up to pitch.</font></div>
<div><font face="Arial" size="3"></font> </div>
<div><font face="Arial" size="3">Terry Farrell</font></div>
</div>
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