<blockquote style="border-left: 1px solid rgb(204, 204, 204); margin: 0pt 0pt 0pt 0.8ex; padding-left: 1ex;" class="gmail_quote">My curiosity along those lines concerned tuning stability, and how<br>
dimensional change in bridges and soundboards, or how much<br>
rendering across a bridge accounted for what we hear in real<br>
pianos. I expected a moderately accurate proportional<br>
indicator, rather than a three decimal point absolute. List<br>
discussions seem to be thick with binary all or nothing<br>
arguments, but I live somewhere well in between.</blockquote><div><br>Ron,<br><br> I think I may have found a kindred spirit :)<br><br>Beyond my simple thirst for knowing why, my interest here lies<br>in trying to figure out what I am actually doing when I find a stable<br>
resting place for a member of a unison. My goal is to distill a belief <br>based on reason and evidence rather that myths that somehow<br>seem to work, as if by magic.<br><br>We are not scientists, but I feel that much can be gained by <br>
taking a few minutes and pretending we are.<br><br>For me, the issue of pin movement is a good place to start, <br>although it is only the tip of my current set of ideas for<br>real-world experimentation.<br><br>If you would like to share ideas more fully, I would<br>
enjoy continuing this discussion through email if <br>you want.<br><br>Let me know.<br><br>(and as far as the original question goes, I have also posted<br>it on a physics forum, so I will let you if they have anything to<br>
say to clear things up)<br><br>Thanks,<br><br> Kurt<br><br><br><br> <br></div>