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<DIV><FONT face=Arial size=2>Hi Matthew,</FONT></DIV>
<DIV><FONT face=Arial size=2>Early on, when I first started tuning, I was
tapping the strings with my trusty railroad spike and 16 pound
sledge;</FONT></DIV>
<DIV><FONT face=Arial size=2>Well that is what it sounded like to the customer.
She said "What are you doing to my piano"?</FONT></DIV>
<DIV><FONT face=Arial size=2>I said "Gulp" stammered and answer.</FONT></DIV>
<DIV><FONT face=Arial size=2>That was the last tapping for me.</FONT></DIV>
<DIV><FONT face=Arial size=2>Now I use a noisless tool that massages the string
towards the bearing point of the bridge pin.</FONT></DIV>
<DIV><FONT face=Arial size=2>I try to not push totally against the bridge but
mostly against the bridge pin and against the bridge.</FONT></DIV>
<DIV><FONT face=Arial size=2>The tool will not eliminate all false beats, as
there are other reasons for false beats other than loose bridge
pins.</FONT></DIV>
<DIV><FONT face=Arial size=2>But if there is an improvment in the sound of the
ringing string, and 90% of the time there is,</FONT></DIV>
<DIV><FONT face=Arial size=2>it is well worth the time to use this tool as one
tunes as well as seating new piano wire.</FONT></DIV>
<DIV><FONT face=Arial size=2>The tool is the same on both ends and can also
be used to level the strings in a grand from inside the action
cavity.</FONT></DIV>
<DIV><FONT face=Arial size=2>I consider it one of my voicing tools, as when the
strings are pressed lightly with this tool the fundimental of the pitch is
usually much stronger. At least that is what my SATlll and its red lights show
me <G></FONT></DIV>
<DIV>Joe Goss RPT<BR>Mother Goose Tools<BR><A
href="mailto:imatunr@srvinet.com">imatunr@srvinet.com</A><BR><A
href="http://www.mothergoosetools.com">www.mothergoosetools.com</A></DIV>
<BLOCKQUOTE
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=toddpianoworks@yahoo.com
href="mailto:toddpianoworks@yahoo.com">Matthew Todd</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">Pianotech List</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Saturday, March 29, 2008 7:05
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Dressing Wild Strings</DIV>
<DIV><BR></DIV>
<DIV>Can you name the other approaches please? And what do you mean by
destructive?</DIV>
<DIV> </DIV>
<DIV>Matthew<BR><BR><B><I>Richard Brekne <<A
href="mailto:ricb@pianostemmer.no">ricb@pianostemmer.no</A>></I></B>
wrote:</DIV>
<BLOCKQUOTE class=replbq
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #1010ff 2px solid">Dont
:) There are several other approaches that are less destructive <BR>and have
better long term results. And remember... you will never get <BR>rid of them
all.<BR><BR>Cheers<BR>RicB<BR><BR><BR>Can someone tell me where I can get a
brass rod used for supressing<BR>beats, or how I can make
one?<BR><BR><BR>Thanks!<BR>Matthew<BR><BR><BR></BLOCKQUOTE><BR>
<P>
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