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<DIV><FONT face=Arial size=2>I think David has done a great job!! I could do no
better.</FONT></DIV>
<DIV><FONT face=Arial size=2>ES</FONT></DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=reggaepass@aol.com
href="mailto:reggaepass@aol.com">reggaepass@aol.com</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=ed440@mindspring.com
href="mailto:ed440@mindspring.com">ed440@mindspring.com</A> ; <A
title=pianotech@ptg.org href="mailto:pianotech@ptg.org">pianotech@ptg.org</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Wednesday, April 02, 2008 11:32
AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Theory and practice of piano
tuning by Brian Capleton</DIV>
<DIV><BR></DIV>Ed,
<DIV><BR class=webkit-block-placeholder></DIV>
<DIV>Well, now that you've chimed in... any details you could share about what
Capleton has to say about setting tuning pins WOULD be welcome.</DIV>
<DIV><BR class=webkit-block-placeholder></DIV>
<DIV>Thanks,</DIV>
<DIV><BR class=webkit-block-placeholder></DIV>
<DIV>Alan Eder<BR><BR><BR>-----Original Message-----<BR>From: Ed Sutton <<A
href="mailto:ed440@mindspring.com">ed440@mindspring.com</A>><BR>To:
Pianotech List <<A
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A>><BR>Sent: Tue, 1 Apr
2008 5:18 pm<BR>Subject: Re: Theory and practice of piano tuning by Brian
Capleton<BR><BR>
<DIV id=AOLMsgPart_0_29d4056c-8180-4e40-88a5-676af392a152
style="FONT-SIZE: 12px; MARGIN: 0px; COLOR: #000; FONT-FAMILY: Tahoma, Verdana, Arial, Sans-Serif; BACKGROUND-COLOR: #fff">David,
I was so glad the request was addressed to you! <BR>Ed
Sutton <BR> <BR>----- Original Message ----- From: "David Boyce"
<<A
href="mailto:David@piano.plus.com">David@piano.plus.com</A>> <BR>To:
"Pianotech List" <<A
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A>> <BR>Sent:
Tuesday, April 01, 2008 6:31 PM <BR>Subject: Re: Theory and practice of
piano tuning by Brian Capleton <BR> <BR>> Yeah, in summary, he
says, It's dirty work, but someone's got to do >
it....... <BR>> <BR>> Chapter 11 is entitled Setting the Pin.
It starts on page 439 and > finishes on page 480. I'm not sure that it's
possible to summarise, but > perhaps this quote from near the start of the
chapter may be useful: <BR>> <BR>> "The discussion set out
here on setting the pin may seem so detailed as to > be daunting at first
sight. The apparent complexity arises only because > the dynamics of
pin-setting are decribed here in unusual technical detail > and depth. A
practical and intuitive understanding of these dynamics are > usually
learnt from many years of tuning experience. The essence of what > is
described will therefore already be familiar to expert tuners at a >
practical and intuitive level, at the very least as subconscious knowledge
> gleaned from practical experience. <BR>> <BR>> "Does one
need to understand the technical details? If you are a theorist > you will
probably want to. If you are a practical tuner you can probably > skip over
them if you wish, and still learn to set the pin from guided > experience.
However, if you quite literally want to "know what you are > doing", then
naturally, looking at the technuical details can be >
enlightening." <BR>> <BR>> Er...hope that
helps...... <BR>> <BR>>
David. <BR>> <BR>> <BR>> <BR>>
"David, <BR>> <BR>> <BR>> Could you summarize for us
what Capleton has to say about setting the pin > (since, if memory serves,
that is the context in which this book was most > recently brought
up)? <BR>> <BR>> <BR>>
Thanks, <BR>> <BR>> <BR>> Alan
Eder" <BR>> <BR>> <BR>> <BR></DIV><!-- end of AOLMsgPart_0_29d4056c-8180-4e40-88a5-676af392a152 --></DIV>
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