<br><font size=2 face="sans-serif">Come on guys, lighten up. If you
want to get into trivial name-calling, take it off line.</font>
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<br><font size=2 face="sans-serif">Paul</font>
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<td width=40%><font size=1 face="sans-serif"><b>John Delacour <JD@Pianomaker.co.uk></b>
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<br><font size=1 face="sans-serif">Sent by: pianotech-bounces@ptg.org</font>
<p><font size=1 face="sans-serif">04/09/2008 02:44 PM</font>
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<div align=center><font size=1 face="sans-serif">Please respond to<br>
Pianotech List <pianotech@ptg.org></font></div></table>
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<div align=right><font size=1 face="sans-serif">To</font></div>
<td><font size=1 face="sans-serif">Pianotech List <pianotech@ptg.org></font>
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<div align=right><font size=1 face="sans-serif">cc</font></div>
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<div align=right><font size=1 face="sans-serif">Subject</font></div>
<td><font size=1 face="sans-serif">Re: stretching wire</font></table>
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<br><tt><font size=2>At 14:05 -0500 9/4/08, Ron Nossaman wrote:<br>
<br>
>Since I don't use it, nor do I encounter it in field work, I don't
<br>
>really care what Paulello's #1 or #2 wire does, as long as it does
<br>
>it somewhere else. As seems to be a universal lack of communication
<br>
>with you<br>
<br>
The fact is you simply can't bear to have facts demonstrated to you <br>
that aren't written ad nauseam in the Gospel according Ron Nossaman <br>
and that any serious scientific data is beyond your powers of <br>
understanding.<br>
<br>
>I'm talking about the modern music wire that the overwhelming <br>
>majority of piano manufacturers and techs employ, where you're <br>
>talking about anything you can that seems to contradict it, however
<br>
>dissimilar.<br>
<br>
Absolute nonsense. You simply refuse to read anything that <br>
contradicts your bone-headed opinion that wire is perfectly elastic. <br>
It doesn't make a scrap of difference what steel wire is involved; <br>
it's just that the Paulello wire demonstrates the phenomenon in such <br>
a way that it's clear for all to see without doing precise <br>
experiments.<br>
<br>
> When you can cite some science that's known to someone other
than <br>
>yourself, I'd be more than happy to listen. As I said, I'm <br>
>interested in real information about modern music wire.<br>
<br>
In the patent I suggested you look at, published in 1985, what sort <br>
of wire do you think they were dealing with, for heavens' sake?! Of
<br>
course you did not read it.<br>
<br>
>>I will finally do some experiments this summer and confirm once
and <br>
>>for all the falsehood of your assertions.<br>
><br>
>Don't bother on my account, unless you can reference a credible <br>
>source of information less than 150 years old.<br>
<br>
Trust me, I would never do anything on your account -- unless perhaps <br>
your teeth were on fire, but your bone-headed self-importance <br>
certainly stimulates me to speak up against the nonsense you <br>
propagate on this list on this topic and others.<br>
<br>
JD<br>
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