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<div>Oh, bravo. Well played. Whoop, whoop. <br/><br/>Mark Schecter was tapping around the edges and Ken Gerler nailed it down! (I think I gave too many good clues, there.)<br/><br/>Fascinating history. This is his first electronic piano (vacuum tubes). It also came in a three-legged home model, but this was designed for classroom music instruction. Ken describes the action very well (see below) except in this early model (1946-48) there is not the block of wood on the keystick that Ken describes, just a thin strip of felt for the "capstan".</div>
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<div><img hspace="0" src="cid:student piano.jpg@39557.7878305324.906" align="baseline" border="0"/><br/><br/>Alan Barnard<br/>Salem, MO<br/><br/>----- Original message ----------------------------------------<br/>From: "Ken & Pat Gerler"
<kenneth.gerler@prodigy.net> </kenneth.gerler@prodigy.net> <br/>To: mark@schecterpiano.com, "Pianotech List"
<pianotech@ptg.org> </pianotech@ptg.org> <br/>Received: 4/18/2008 8:04:55 AM<br/>Subject: Re: Okay, what's yer guess?<br/><br/><br/>>Mark,<br/>>That is it! I have worked on several Fender-Rhodes but never had hammers <br/>>like that. Harold Rhodes said he had the "simplest" arrangement for <br/>>operation. It is basically a "spoon". The "whippen" end is the part of the <br/>>spoon you would put in your mouth. He affixed the flange to that end. A big <br/>>block of wood at the end of the key interacts with that (the spoon) end of <br/>>the assembly. And the "sound producing" or "tine" is a basic "tuning fork". <br/>>The damper is on a thin piece of metal and is pulled down from the tine and <br/>>the hammer rises from below the tine. As an 'electronics' technician you <br/>>would see these faster than a piano technician.<br/><br/>>Alan, google Fender-Rhodes and see who currently is supplying parts for <br/>>them. The later models had little rubber tips that were glued into a "U" <br/>>shape in the wood block at the end of the hammer shank.<br/><br/>>Ken Gerler<br/>>----- Original Message ----- <br/>>From: "Mark Schecter"
<schecter@pacbell.net> </schecter@pacbell.net> <br/>>To:
<pianotuner@embarqmail.com> </pianotuner@embarqmail.com> ; "Pianotech List"
<pianotech@ptg.org> </pianotech@ptg.org> <br/>>Sent: Friday, April 18, 2008 1:49 AM<br/>>Subject: Re: Okay, what's yer guess?<br/><br/><br/>>> Could they be early Fender Rhodes?<br/>>><br/>>> -Mark<br/>>><br/>>>> ------- Original Message -------<br/>>>> From: "Alan Barnard"
<pianotuner@embarqmail.com> </pianotuner@embarqmail.com> <br/>>>> To: pianotech@ptg.org<br/>>>> Sent: 04/17/08, 09:00:20 PM<br/>>>> Subject: Re: Okay, what's yer guess?<br/>>>><br/>>>> Not without posting it somewhere else, which I don't know how to do.<br/>>>><br/>>>> I don't think it would help, really. There are no parts or details that <br/>>>> don't show pretty plainly here. The whippen/butts (little S&M there) are <br/>>>> 1/4" thick and smooth sided, no features except holes for the flange pins <br/>>>> (no raised bird-eyes) and the hammer shanks (3/16" in diameter), and the <br/>>>> "bridle straps" which pass between the W/Bs (see S&M, above) and the <br/>>>> flanges and are glued to the curved back of said W/Bs. You can see the <br/>>>> weird little hammer moldings and the small, oddly-shaped hammers.<br/>>>><br/>>>> Here are more little hints: The maker of these and similar instruments <br/>>>> (many later models still around and in use) is actually quite famous and <br/>>>> spent a great deal of time in hospitals. Tease, tease. Later models have <br/>>>> hammers that are even less piano-like.<br/>>>><br/>>>> I say, again, .<br/>>>><br/>>>> Alan Barnard<br/>>>> Salem, MO<br/>>>><br/>>>><br/>>>><br/>>>> Original message<br/>>>> From: "Barbara Richmond"<br/>>>> To: pianotuner@embarqmail.com, "Pianotech List"<br/>>>> Received: 4/17/2008 10:35:07 PM<br/>>>> Subject: Re: Okay, what's yer guess?<br/>>>><br/>>>><br/>>>> Could we have a bigger picture for a better look?<br/>>>><br/>>>> br<br/>>>> ----- Original Message ----- <br/>>>> From: Alan Barnard<br/>>>> To: pianotech@ptg.org<br/>>>> Sent: Thursday, April 17, 2008 9:53 PM<br/>>>> Subject: Okay, what's yer guess?<br/>>>><br/>>>> Heads are 3/4" at their widest, 3/8" thick, round (no egg shape) at the <br/>>>> crown. Notice the little bit of bridle strap material sticking out from <br/>>>> the flange at the picture top? These tapes are connected to the dampers. <br/>>>> (Yes they are, don't argue with me!) The whippen is the hammer butt and <br/>>>> vice versa, no jacks, no escapement, one solid piece of wood. Key sticks <br/>>>> are full-sized (well, like a spinet) conventional designed, three-rails, <br/>>>> pins, felts, etc., but the "capstans" are just pieces of felt glued to <br/>>>> the top rear of the key sticks. Key and hammer travel are conventional <br/>>>> distances.<br/>>>><br/>>>> Further hints: This is a 20th century instrument, not something from <br/>>>> Mozart's day! Not a celeste, not a dulcimer, not a Nickelodeon or <br/>>>> anything similar, not exactly a piano, either--though it is called a <br/>>>> piano, has a sustain pedal. Not tuned in any conventional way, either.<br/>>>><br/>>>> Fun one, eh? Anyone seen 'em? Bet Jack Wyatt knows ...<br/>>>><br/>>>> Alan Barnard<br/>>>> Salem, MO<br/>>>> <br/><br/>
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