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<p class=MsoNormal><font size=2 color=navy face=Arial><span style='font-size:
10.0pt;font-family:Arial;color:navy'><wbr>I’ve done them both ways
(fanned and original rib positions without significant compression) and haven’t
found a huge difference. Fanning the ribs seems to reduce resonances some
(though it doesn’t seem to eliminate them entirely), it also allows you
to float the bass (which I didn’t do on this project). The panel
was ribbed at 6% (30%RH @ 85 degrees F) so it does have just a bit of
compression. On some projects, you have to make choices. </span></font></p>
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10.0pt;font-family:Arial;color:navy'> </span></font></p>
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<p><font size=2 color=navy face="Times New Roman"><span style='font-size:10.0pt;
color:navy'>David</span></font><font size=2 color=navy><span
style='font-size:10.0pt;color:navy'> Love</span></font><font size=2
color=navy><span style='font-size:10.0pt;color:navy'><br>
davidlovepianos@comcast.net<br>
www.davidlovepianos.com</span></font><font color=navy><span style='color:navy'>
</span></font></p>
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<p class=MsoNormal style='margin-left:.5in'><font size=2 face=Tahoma><span
style='font-size:10.0pt;font-family:Tahoma'>-----Original Message-----<br>
<b><span style='font-weight:bold'>From:</span></b> pianotech-bounces@ptg.org
[mailto:pianotech-bounces@ptg.org] <b><span style='font-weight:bold'>On Behalf
Of </span></b></span></font><font size=2 face=Tahoma><span style='font-size:
10.0pt;font-family:Tahoma'>erwinspiano@aol.com</span></font><font size=2
face=Tahoma><span style='font-size:10.0pt;font-family:Tahoma'><br>
<b><span style='font-weight:bold'>Sent:</span></b> Saturday, May 17, 2008 7:20
PM<br>
<b><span style='font-weight:bold'>To:</span></b> pianotech@ptg.org<br>
<b><span style='font-weight:bold'>Subject:</span></b> Re: Steinway O revisited</span></font></p>
<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'> </span></font></p>
<p class=MsoNormal style='margin-left:.5in'><font size=3 face="Times New Roman"><span
style='font-size:12.0pt'> David<br>
Since the original rib scale was originally designed to work
in conjunction with panel compression stiffness are you concerned about
any potential unwanted soundboard resonance's by retaining the original
rib scale placement & same no. of ribs even though they are beefed up
to support the entire crown load? <br>
Dale</span></font></p>
<div id="AOLMsgPart_0_e99e4a05-a9ed-4259-af11-d6008bc55e94"><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'> </span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'>-----Original Message-----</span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'>From: <a
href="mailto:pianotech-bounces@ptg.org">pianotech-bounces@ptg.org</a> [<a
href="mailto:pianotech-bounces@ptg.org?">mailto:pianotech-bounces@ptg.org</a>] On Behalf</span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'>Of David Love</span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'>Sent: Saturday, May 17, 2008 11:16 AM</span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'>To: 'Pianotech List'</span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'>Subject: Steinway O revisited</span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'> </span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'>Here's a Steinway O with modifications: transition bridge (old style</span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'>connection), cut-off, modified bass bridge sans cantilever, adjustable plate</span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'>mounting system. Vertical hitches in the plate in the treble section (not</span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'>pictured). Plate goes in today. </span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'> </span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'>David Love </span></font></tt></pre><pre
style='margin-left:.5in;background:white'><tt><font size=2 color=black
face="Courier New"><span style='font-size:10.0pt;color:black'> </span></font></tt></pre></div>
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