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<DIV>In a message dated 5/29/2008 3:22:19 P.M. Pacific Daylight Time,
eve_ane@hotmail.co.uk writes:</DIV>
<BLOCKQUOTE
style="PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: blue 2px solid"><FONT
style="BACKGROUND-COLOR: transparent" face=Tahoma color=#000000 size=2>Where
do you suggest I look?</FONT></BLOCKQUOTE>
<DIV><FONT style="BACKGROUND-COLOR: transparent" face=Tahoma color=#000000
size=2><FONT face="Bookman Old Style" size=3>Alicia,</FONT></FONT></DIV>
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<DIV>Isolate the elements - try this hammer in another piano, try another hammer
in this piano.</DIV>
<DIV> </DIV>You might also take the hammers out of the equation to see what
the piano is capable of - pluck the strings both in the treble and the bass.
Based on your results so far, I'd suspect an energy loss somewhere in the
belly. If the sound is short and weak in the treble
when </FONT></FONT><FONT style="BACKGROUND-COLOR: transparent" face=Tahoma
color=#000000 size=2><FONT face="Bookman Old Style" size=3>plucked, it will be
short and weak when struck</FONT></FONT><FONT
style="BACKGROUND-COLOR: transparent" face=Tahoma color=#000000 size=2><FONT
face="Bookman Old Style" size=3>.</FONT></FONT></DIV>
<DIV> </DIV>
<DIV>In the bass it would be most unusual for the strike point to be off by
enough to be really audible. </DIV>
<DIV> </DIV>
<DIV>Bob Davis</DIV>
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