<FONT size=3> In my opinion this is not the problem, it is the same old is the problem of Compression crowning. Asking soft flat sugar pine ribs to stay flexed for a lifetime is one thing but tight grain Sitka spruce ribs.....Uh uh,negatory. SO no crown... hmm lets lower the plate & crush it further. It just doesn't work<br>
I have seen many 30-40 year old Japanese pianos with flat sound board with the strings off. In this case there was a fair bit of truly bad technician-ing possibly sprinkled with other questionable decisions & character traits. <br>
I'm baaaack.<br>
Dale<br>
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> <STRONG><U><EM><FONT size=4>The soundboard is negative crowned. I think: soundboard originlly dried for Japanese market</FONT></EM></U></STRONG>,<FONT size=3><STRONG><EM> in renovation at SAP Poland extrmely dried out, > restrung with to much downbearing and finally collapsed negative, any other thoughts about why a soundboards becomes negative crowned?</EM></STRONG></FONT> > Custommer payed 15.000 EUR for this instrument, <br>
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> Should he accept the fact of negativ crown? Will the board get even more > negativ figures in the future? Any experience how negativ crown > influences the sound and why? <br>
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