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<DIV>In a message dated 7/2/2008 6:40:19 A.M. Pacific Daylight Time,
cousins_gerry@msn.com writes:</DIV>
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<P class=MsoNormal><SPAN
style="FONT-SIZE: 11pt; COLOR: #1f497d; FONT-FAMILY: 'Calibri','sans-serif'">....I
always wondered which standard a person was referring to when describing their
perfect pitch. Pre 1920’s A-435? Post 1920’s A-440? New a-442? 443, 445?
European? Eastern? Other?</FONT></P></BLOCKQUOTE>
<DIV><FONT face="Bookman Old Style" color=#000000 size=3>Right on the mark,
Gerry. My Music Theory prof in college (even some 40 years ago) would not
let us use the term "perfect pitch." She herself used "pitch recognition"
(the ability to name a note with any degree of accuracy) which is in turn
based on "pitch memory" (the ability to remember and reproduce pitches with
some degree of accuracy, and which, incidentally, she had in spades).
</FONT></DIV>
<DIV><FONT face="Bookman Old Style" color=#000000 size=3></FONT> </DIV>
<DIV><FONT face="Bookman Old Style" color=#000000 size=3>She thus nicely
skirted arguments about the word "perfect," since there are all degrees of pitch
memory, some better than others. "Pitch recognition" is based on the ability to
remember artificially-named arbitrary bands of frequencies, like A=440, A=435,
etc., or for that matter, A=whatever-their-piano-was-tuned-to. </FONT></DIV>
<DIV><FONT face="Bookman Old Style" color=#000000 size=3></FONT> </DIV>
<DIV><FONT face="Bookman Old Style" color=#000000 size=3>No one is born with an
absolute "A", since there isn't one. Whether one is born with the ability to
remember pitches, or learns it, I'll leave for others to answer.</FONT></DIV>
<DIV><FONT face="Bookman Old Style" color=#000000 size=3></FONT> </DIV>
<DIV><FONT face="Bookman Old Style" color=#000000 size=3>Bob Davis</FONT></DIV>
<DIV><FONT face="Bookman Old Style" color=#000000 size=3></FONT> </DIV>
<DIV><FONT size=2><FONT style="BACKGROUND-COLOR: transparent"
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