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<DIV><FONT face=Arial size=2>List,</FONT></DIV>
<DIV><FONT face=Arial size=2> I'd like to throw out a question. I've now
built 4 bellies myself. </FONT></DIV>
<DIV><FONT face=Arial size=2>I have seen several Steinways that have been very
highly modified. </FONT></DIV>
<DIV><FONT face=Arial size=2>Consider a completely different soundboard
design, scale design, a totally different approach to hammer design and
installation, to say nothing of damper, action and key re-design. While these
design changes all play a part in bringing out a new voice to an old piano, I
always am able to very clearly hear a Steinway in there, the Steinway soul is
still there, it's as though it can be tweaked, but not changed (who'd want
to?). Sooo, what makes a Steinway sound like a Steinway? Did it Usta-B a
Steinway, or is it still? I think that it still very much is, more of the
original timbre and tone remains than is replaced.</FONT></DIV>
<DIV><FONT face=Arial size=2>Even the rim and plate are changed, what with
treble dams and aliquot and duplex mods, plate mounting, etc, etc. It seems that
the design of everything can be changed, and we still have the wonderful
Steinway.</FONT></DIV>
<DIV><FONT face=Arial size=2>And why can no other piano be made to sound like
one? (Dale, I'd like to hear that Henry Miller with the B belly.)</FONT></DIV>
<DIV><FONT face=Arial size=2>Thank you, list, for taking my questions. I'll now
take my answers off the air.</FONT></DIV>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2>None of this is meant to be pro or con design
changes in vintage Steinways, please, let's not go there.</FONT></DIV>
<DIV><FONT face=Arial size=2>Fenton</FONT></DIV>
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<DIV style="FONT: 10pt arial">----- Original Message ----- </DIV>
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=david@davidandersenpianos.com
href="mailto:david@davidandersenpianos.com">David Andersen</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=ilvey@sbcglobal.net
href="mailto:ilvey@sbcglobal.net">ilvey@sbcglobal.net</A> ; <A
title=pianotech@ptg.org href="mailto:pianotech@ptg.org">Pianotech List</A>
</DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Friday, July 04, 2008 9:52 PM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Re: Real Customizing of a
piano</DIV>
<DIV><BR></DIV>No we don't; the belly's great just as it is---and the action
is---uh---it's fine! Just fine. It'll break in and lighten up a lot in the
next couple weeks.
<DIV>If you've got my check there, ma'am, I gotta go. Have fun.
Buh-bye....</DIV>
<DIV><BR></DIV>
<DIV>David "Tune 'n Run" Andersen</DIV>
<DIV><BR></DIV>
<DIV>
<DIV>
<BLOCKQUOTE type="cite">
<P align=left>Well first of all, we don't need to do anything with the
belly...;-]<BR><BR>David Ilvedson, RPT<BR>Pacifica, CA 94044<BR></P>
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<P align=left><FONT face="Arial, Helvetica, sans-serif"
size=3><STRONG><EM>Colleagues<SPAN class=Apple-style-span
style="FONT-WEIGHT: normal; FONT-STYLE: normal; -webkit-text-stroke-width: -1">
Lets' agree to discontinue the idle banter. I've got a great Idea why don't
we really discuss customizing a piano. What does it mean & all that it
entails. It would be drastically more engaging than the spitting in the wind
that's been going on under this wrongly titled thread which has zip to do
with true authentic & artisanal Custom Piano Restoration, design or new
designs. Who will go first? <FONT class=Apple-style-span size=5><SPAN
class=Apple-style-span style="FONT-SIZE: 18px">Dale
Erwin</SPAN></FONT><BR></SPAN></EM></STRONG></FONT></P></DIV></BLOCKQUOTE>
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