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<DIV><FONT face="Arial Narrow"> Cut threads are actually
cut, or scribed, into the metal. Imagine chucking a smooth piece of rod
into a drill press, then holding the teeth of a hacksaw against it as it
rotates. If you were to move the hacksaw up or down, it would cut a
groove, or "thread," into the rod. Rolled threads are simply impressed
into the metal by pressure. I imagine they're cold-rolled, i.e., the metal
is not heated up again just to press the "threads" (grooves) into
it.</FONT></DIV>
<DIV><FONT face="Arial Narrow"> Neither type of "thread," of
course, is as deep or accurately machined as the threads in a machine screw,
wood screw, or sheet metal screw. </FONT></DIV>
<DIV><FONT face="Arial Narrow"> --David Nereson, RPT
</FONT></DIV>
<BLOCKQUOTE dir=ltr
style="PADDING-RIGHT: 0px; PADDING-LEFT: 5px; MARGIN-LEFT: 5px; BORDER-LEFT: #000000 2px solid; MARGIN-RIGHT: 0px">
<DIV
style="BACKGROUND: #e4e4e4; FONT: 10pt arial; font-color: black"><B>From:</B>
<A title=kenbean@pacbell.net href="mailto:kenbean@pacbell.net">Kendall Ross
Bean</A> </DIV>
<DIV style="FONT: 10pt arial"><B>To:</B> <A title=pianotech@ptg.org
href="mailto:pianotech@ptg.org">pianotech@ptg.org</A> </DIV>
<DIV style="FONT: 10pt arial"><B>Sent:</B> Monday, July 07, 2008 9:45 AM</DIV>
<DIV style="FONT: 10pt arial"><B>Subject:</B> Nature of tuning pins</DIV>
<DIV><BR></DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>Hi, I haven't
posted to the listserve before so let's see if this works.</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>I had some
questions about the different types of tuning pins and wondered if someone
here could answer them. (I'm <EM>trying</EM> to write an article about tuning
pins).</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>It might be nice
to have some discussion on something that many technicians seem to
take for granted: why tuning pins come in the types and form that they
currently do.</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>(This may have all
been covered before somewhere in the Archives, but if it was, I couldn't find
it. So if it's there, I apologize in advance; could someone just point me to
where it is? Thanks.)</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>I've attached a
photo for reference. </SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>The photo refers
to the three basic types of tuning pins we routinely see. (These were all
photographed together at the same time on the same white background. The photo
is "unretouched." -The colors in the photo seem to be fatihful to the
genuine articles.)</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>On the far left is
a blued steel pin, in the middle a nickel plated pin, and on the far right a
nickel plated/blued thread pin. (The end pins are Nippon Denro, the middle pin
I think from an Asian piano, maybe Kawai, as it seems to be
metric.)</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>The pin in the
middle has generally fallen into disrepute (I think I know why, because the
threads are plated, right?) -but perhaps we need to re-examine this. Maybe
this type of pin is still valid for certain extreme humidity
applications?</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>The following
questions pertain mainly to the "blued" vs "nickel-blued
pins".</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>The questions I
have are:</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>1) Why are the
threads on the "blued steel" pin a different color than on the
"nickel-blued" pin? (also - Why aren't the the threads on the "blued" pin the
same color as the unthreaded portion of the
pin?)</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>2) If the threads
on the "nickel-blued" pin are cut after nickel plating, (which should remove
the plating on the threads right?) and then are heated in the bluing oven, why
aren't they the same color blue as the unthreaded part of the "blued"
pin? </SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>3) I
am speculating that perhaps the threads on the blued pin are cut after
bluing (which removes the bluing, to a certain extent, just like it removes
the layer of nickel plating on the nickel blued pin) while the threads on
the nickel blued pin are blued after cutting. Does the order in
which the operations are done affect the quality of the thread? Does having to
cut through nickel plating produce an inferior thread?</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>4) Would
anyone here care to restate why the blued pins (as opposed to
nickel-blued) are preferred over the nickel-blued by many piano
technicians?</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>5) What is the
real purpose of the threads on the tuning pin, (besides to help back the pin
out in restringing. One source I have read says the threads make it
easier to turn the pin in the pinblock (as opposed to an unthreaded pin). Any
thoughts on this?</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>6) Today
apparently all tuning pins have "cut" threads, as opposed to "rolled" threads.
Why is this? What does "rolled" threads mean? Why would they be inferior to
cut threads?"</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>7) Catherine
Beilefeldt, in her book "The Wonders of the Piano", in describing the process
at AMSCO (when it was still around), says that there both the nickel-blued and
blued pins were blued after threading. Does anyone know if Nippon Denro does
it differently? How about Fly Brand? Diamond?</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>8) What, exactly,
are the infamous "reverse cut" threads that were touted so highly by
certain sales reps and dealers of Japanese pianos?</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>9) What about
Larry Fine's and Art Reblitz's contention that if this were really the case
(if the "reverse cut" or "reverse thread" pin turned more easily in one
direction than the other) it would wear the pin block out
faster?</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>10) Why, really,
did manufacturers (except Bosendorfer) stop using tapered
pins? </SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>I have a number of
books that touch on the manufacture of piano tuning pins, but none that really
seems to have more than a superficial understanding of why tuning
pins are made the way they are today. </SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>If anyone knows of
a reference work or resource that would have the history of the
development of tuning pins, or an article in the PTJ (or even a thread in
the CAUT or Pianotech archives) that addresses these issues, I would be very
grateful if they would let me know where I can find it. You can either
post your answers on the listserve, ideally, where all could benefit, or
e-mail me personally at address below, if you prefer.</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008>Sincerely,</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN class=909222614-07072008>Kendall Ross
Bean</SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008>PianoFinders </SPAN></FONT></DIV>
<DIV><FONT face=Arial size=2><SPAN
class=909222614-07072008></SPAN></FONT> </DIV>
<DIV><SPAN class=533361603-16112007><FONT face=Arial><FONT size=2><SPAN
class=909222614-07072008>(</SPAN>e-mail: </FONT></FONT><A
title=mailto:kenbean@pianofinders.com
href="mailto:kenbean@pianofinders.com"><FONT face=Arial
size=2>kenbean@pianofinders.com</FONT></A><FONT face=Arial><FONT size=2>)<SPAN
class=909222614-07072008></SPAN></FONT></FONT></SPAN></DIV>
<DIV align=left>
<DIV><FONT face=Arial size=2></FONT> </DIV>
<DIV><FONT face=Arial size=2><SPAN
class=533361603-16112007></SPAN></FONT> </DIV>
<DIV><FONT face=Arial color=#0000ff size=2><SPAN
class=533361603-16112007><EM></EM></SPAN></FONT> </DIV></DIV>
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