<html><body style="word-wrap: break-word; -webkit-nbsp-mode: space; -webkit-line-break: after-white-space; ">Uh,<div>I believe that was Andre Oorebeek.</div><div><br></div><div>Andrew<br><div><blockquote type="cite"><div><font class="Apple-style-span" color="#000000"><br></font><br>Andrew Anderson also made some excellent points about hardly moving the pin<br>at all. I have noticed that does seem to help stability, a lot, for one,<br>because you are introducing less twist in the pin and less inequality among<br>the string segments. (If you have the technique to do it!) A tuner sent<br>along with the Steinway D from a professional piano rental company once<br>echoed the same sentiment to me: Move only the pins you need to, and those<br>as little as possible.<br><br>~Hope this helps.<br><br>Kendall Ross Bean,<br><br>PianoFinders<br><a href="http://www.pianofinders.com">www.pianofinders.com</a><br>e-mail: kenbean@pianofinders.com<br><br></div></blockquote></div></div></body></html>