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<DIV><FONT face="Arial Narrow"> Regarding the Baldwin bridle
wires that are shaped somewhat like a question mark as opposed to the
traditional ones with the triangular "retaining loop,":</FONT></DIV>
<DIV><FONT face="Arial Narrow"> First of all, they're not
"bridal" wires. "Bridal" has to do with brides. They're "bridle"
wires, i.e., a strap for connecting something to something else, such as a
horse's bridle.</FONT></DIV>
<DIV><FONT face="Arial Narrow"> Anyway, I've also encountered
pianos where someone has attempted to glue the tabs to the wires. But the
vibrations and micro-shocks to the glue joint while playing eventually work them
loose again. The bridles' coming off the top of the wire is not so bad --
the piano will still play. A worse problem is when the holes in the tabs
enlarge and the bridles work their way <EM>down</EM> the wire.
Then the wippen is kept from returning as easily, and there's not enough
lost motion to allow the jack to return, causing "sticking keys," no repetition,
etc. </FONT></DIV>
<DIV><FONT face="Arial Narrow"> I decided to turn the action
upside down and apply a dab of rubber cement or Barge glue to the
<EM>under</EM>side of the tabs. The Barge or rubber cement seems to stick
to the wire better than Titebond or Elmer's. And the glue on the underside
prevents the bridle from sliding down the wire. </FONT></DIV>
<DIV><FONT face="Arial Narrow"> Worked great. I
don't know what else to do on these pianos. I can't imagine that type
of bridle wire was all that less expensive to make than the
traditional ones. Bad decision on Baldwin's part. </FONT></DIV>
<DIV><FONT face="Arial Narrow"> --David Nereson,
RPT</FONT> </DIV>
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