<div dir="ltr"><br><br> <div class="gmail_quote">On Thu, Oct 16, 2008 at 2:25 PM, John Formsma <span dir="ltr"><<a href="mailto:formsma@gmail.com">formsma@gmail.com</a>></span> wrote:<br> <blockquote class="gmail_quote" style="PADDING-LEFT: 1ex; MARGIN: 0px 0px 0px 0.8ex; BORDER-LEFT: #ccc 1px solid">yes - sorry for the typo. : )<br> <div> <div></div> <div class="Wj3C7c"><br>On 10/16/08, paul bruesch <<a href="mailto:paul@bruesch.net">paul@bruesch.net</a>> wrote:<br>> John,Honest, I'm not being picky, but don't you mean A2-A4 double octave?<br>> Paul Bruesch<br> > Stillwater, MN<br>><br>> On Thu, Oct 16, 2008 at 11:31 AM, John Formsma <<a href="mailto:formsma@gmail.com">formsma@gmail.com</a>> wrote:<br>> <snip><br>><br>>> You might begin with a A2-A4 octave that beats no more than 1 bps.  Then<br> >> chop it up into small chunks with your favorite method, whether it be the<br>>> Baldassin-Sanderson temperament, or whatever one you choose.<br>>><br>> </snip><br>><br><br><br></div></div> --<br><font color="#888888">JF<br></font></blockquote></div> <div> </div> <div> </div> <div>I sure am glad <em>that's</em> cleared up! I was trying to figure out the 24th root of 2!</div> <div> </div> <div>Seriously now, does anyone know of any tests for how bad a break is? Or does everyone just wait until things go bad in the middle of a temperament sequence?<br clear="all"><br>-- <br>Regards, <br>Jeff Deutschle<br><br> Please address replies to the List. Do not E-mail me privately. Thank You.<br><br></div></div>