<br><font size=2 face="sans-serif">Try Wapinizing it!</font>
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<br><font size=2 face="sans-serif">PW</font>
<br><font size=2 face="sans-serif">No, David, you're aging fine like a
good wine! :>) (me too)</font>
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<td width=40%><font size=1 face="sans-serif"><b>"David Love"
<davidlovepianos@comcast.net></b> </font>
<br><font size=1 face="sans-serif">Sent by: pianotech-bounces@ptg.org</font>
<p><font size=1 face="sans-serif">10/23/2008 01:52 PM</font>
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<div align=center><font size=1 face="sans-serif">Please respond to<br>
Pianotech List <pianotech@ptg.org></font></div></table>
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<div align=right><font size=1 face="sans-serif">To</font></div>
<td><font size=1 face="sans-serif">"'Pianotech List'" <pianotech@ptg.org></font>
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<div align=right><font size=1 face="sans-serif">cc</font></div>
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<div align=right><font size=1 face="sans-serif">Subject</font></div>
<td><font size=1 face="sans-serif">RE: yamaha rebuild</font></table>
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<br><tt><font size=2>I like that "a vintage 1977", makes me feel
old :-)<br>
<br>
As Ron mentioned, these assessments really need to be made at the piano
and<br>
in this case with samples and with the customer's own tonal goals and<br>
attitudes in mind. That being said, as soundboards get weaker, they
get<br>
louder and sustain diminishes (unless they turn to stone and get stiffer
and<br>
therefore quieter with better sustain--haven't met that one yet though).
So<br>
likely the hammer needed won't have to be as hard or heavy (or both) as
the<br>
original in order to generate the same volume. Also, louder at attack,
in<br>
this case, means diminished perception of the length of the sustain phase.<br>
I'm not sure that the actual measured sustain will diminish as the rate
at<br>
which the board dissipates energy is not influenced by the hammer<br>
necessarily. However, one of the essential goals in setting up the
"voice"<br>
of the piano is to find the best balance between the attack envelope and<br>
sustain phase. On older boards, that usually means reducing the level
of<br>
the attack, i.e. somewhat softer and/or lighter hammer. <br>
<br>
David Love<br>
davidlovepianos@comcast.net <br>
www.davidlovepianos.com<br>
<br>
-----Original Message-----<br>
From: pianotech-bounces@ptg.org [mailto:pianotech-bounces@ptg.org] On Behalf<br>
Of Conrad Hoffsommer<br>
Sent: Thursday, October 23, 2008 8:15 AM<br>
To: Pianotech List<br>
Subject: Re: yamaha rebuild<br>
<br>
On 10/23/08, David Love <davidlovepianos@comcast.net> wrote:<br>
> I've found those older blocks don't<br>
> hold up that well and since replacing the block isn't that big a deal,
I'd<br>
> probably do it. I'd be careful about hammer selection as the
board is<br>
> likely much weaker than it was at the outset and may not tolerate
as hard<br>
a<br>
> hammer as the original.<br>
<br>
<br>
I'm considering restringing w/pinblock (actually: pinblock -<br>
necessitating restringing) on a 1977 vintage C7. Should I consider<br>
"leaner" hammers for it, too? The thing does _NOT_ lack
for volume.<br>
<br>
<br>
-- <br>
Conrad Hoffsommer, RPT<br>
Luther College<br>
Decorah, IA<br>
<br>
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